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Downloaded from
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Official YIFY movies site:
YTS.BZ

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(acoustic guitar strums "LA Freeway")

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(car doors slam)

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(engine starts and rumbles)

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♪ Pack up all your dishes ♪

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♪ Make note of all good wishes ♪

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♪ Say goodbye to the landlord for me ♪

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♪ That son of a bitch has always bored me ♪

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♪ Throw out them L.A. papers ♪

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♪ And that moldy box of Vanilla Wafers ♪

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♪ Adios to all this concrete ♪

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♪ Gonna get me some dirt road back streets ♪

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♪ If I can just get off of this L.A. freeway ♪

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♪ Without gettin' killed or caught ♪

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(engine roars)

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♪ Down that road in a cloud of smoke ♪

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♪ To some land I ain't bought, bought, bought ♪

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♪ And it's, here's to you old Skinny Dennis ♪

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♪ The only one I think I will miss ♪

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♪ I can hear that old bass singin' ♪

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♪ Sweet and low like a gift you're bringin' ♪

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♪ Oh, Susanna, don't you cry, babe ♪

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♪ Love's a gift that surely handmade ♪

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♪ We got somethin' to believe in ♪

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♪ Don't you think it's time we're leavin'? ♪

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♪ If I can just get off of this L.A. freeway ♪

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♪ Without gettin' killed or caught ♪

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♪ Down that road in a cloud of smoke ♪

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♪ To some land I ain't bought ♪

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(car engine rumbles)

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(acoustic guitar strums "LA Freeway")

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(car engine rumbles)

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(car engine stops)

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(car headlights switch clicks)

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(audience cheers and applauds)

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- I'm proud to present the
ASCAP Lifetime Achievement Award

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to Guy Clark for his outstanding accomplishments

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as a songwriter, recording
artist, and musical mentor

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in the field of country music.

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(audience cheers and applauds)

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- Thank you.

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Thank you very much.

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This is (exhales loudly) breathtaking.

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Susanna, my wife, Susanna, and I

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moved here 27 years ago.

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I figure, another 10 or 15, I'll probably break even.

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(audience laughs)

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(Guy laughs)

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Without wonderful friends like these,

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Rodney, and Lyle, and Vince,

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a thousand others, too numerous to mention,

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this wouldn't be possible,

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and especially without Susanna.

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Thank you very much.

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(audience cheers and applauds)

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- Guy was madly in love with Susanna,

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because she challenged him all the time.

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You know, he couldn't get anything over on her,

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and he was confident enough to just eat it up.

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- From my point of view,

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he was the smartest guy in the room,

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and when Townes came in,

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you know, it was a toss up

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between who was the smartest guy in the room then.

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Susanna would tell ya

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she was the smartest person in the room.

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- I would suspect, Guy Clark came out of the womb

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knowing exactly who he was.

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You know, he just had that aura about him that was,

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it was commanding. (upbeat instrumental "Rita Ballou")

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♪ Hill country honky-tonkin' Rita Ballou ♪

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♪ Every beer joint in town ♪

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♪ Has played the fool for you ♪

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♪ Backslidin' barrel ridin' Rita Ballou ♪

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♪ There ain't a cowboy in Texas ♪

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♪ Would not ride a bull for you ♪

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♪ All right ♪

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- Another thing about Guys is,

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he's a real good driver.

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We play a lot together,

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and we rent cars, and he has yet to let me drive.

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He will not let me drive,

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and I'm an expert driver, you know?

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(tape recorder whirs and clicks)

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- [Susanna] Okay, TR.

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I'm Susanna Clark.

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I grew up an Okie debutante from a high society,

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artistic, and very religious family.

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I have eight siblings, and we're all close.

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I even shared an apartment with my sister, Bunny,

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while we worked at our family's art center.

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But now, I live in Nashville with my husband Guy,

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and our best friend, Townes Van Zandt.

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Guy and I paint,

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and all three of us write songs.

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We're starving artists, (Susanna laughs)

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but we have each other.

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(guitar strums an upbeat "South Coast of Texas")

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Guy and Townes became best friends down in Texas

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back in the mid-'60s.

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Houston was like the Greenwich Village of Texas.

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- [Guy] Jerry Jeff was around,

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and Townes was around, and pretty crazy.

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When I first met Townes, it was mid-'60s, I guess,

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and we were all playing at the coffee house

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called Sand Mountain Coffee House,

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which just served coffee,

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and there was also a place called the Jester,

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which was a bar, bar.

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Singers, and songwriters, and folk singers

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could get on stage behind a microphone,

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and play for the folks, you know?

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That was the goal, to get an audience,

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express yourself to them.

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When I met Townes, I think
he'd written two or three songs.

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He was the first guy I ran across who was doing this,

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who had a real grasp of the English language.

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He was a storyteller, you know?

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Anyway, I'd never really run
across anyone quite like that.

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And we became friends,

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'cause we kinda had the same sense of humor.

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I think he liked my song writing, as I did his.

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(guitar strums an upbeat "South Coast of Texas")

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- [Susanna] Guy had a day job at a TV station,

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and he built and fixed guitars,

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but all he really wanted to do was write songs.

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Around this time, Guy met Susan Spaw.

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She was a folk singer.

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Guy was 24, Susan was 18.

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They got married in June of 1966.

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They had to get married,

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because Susan was expecting Guy's baby,

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and, of course, Guy was gonna do the right thing.

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Six months later, their son,
Travis Carroll Clark, was born.

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- [Guy] That was about the time I got a job

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as the assistant art director
at Channel 13 in Houston

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- [Susanna] In 1969, I was living in Oklahoma City

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with my sister.

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- [Guy] Hmm.

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I had gone to Oklahoma City to see her sister, Bunny,

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and I had met her at a club.

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Townes and I were playing in a place in Oklahoma City

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called the Sword and Stone.

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Townes and I made a deal to come hang out on Sunday,

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just go over to her apartment and visit.

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Well, we went over there, and she said,

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"My sister's coming by",

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and her sister was Susanna.

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That was the first time I had met her.

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- [Susanna] I walked into my living room

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where Guy and Townes sat on my couch.

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They looked exhausted and skinny.

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I asked them if they wanted vitamins.

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- [Guy] She came in, and we
started talking about painting.

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- [Susanna] I was painting a prairie.

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I got stuck, and said half out loud,

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"I can't make the foreground
come forward in this painting".

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Guy got up, and he walked over to me, and said,

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"You can do this, and that,

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and you can mix this color with that color".

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- [Guy] I told her,

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I thought she oughta put an
elephant going over the hill,

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just his butt, you know?

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But she could paint, that was the thing.

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- [Susanna] I liked Guy.

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He knew somethin' about art, and that impressed me.

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He was also tall and handsome, (Susanna chuckles)

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Guy and Bunny tried to keep
up a long-distance relationship.

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He came to visit Bunny.

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He wrote to her.

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He sent her small gifts.

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But back in Houston, Guy's life had fallen apart,

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and Susan took Travis, and left him.

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- [Guy] Man, I was lost,

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looking for something.

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And I had a friend who lives, Minor Wilson,

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who had a guitar shop in San Francisco.

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I just kinda moved in with him.

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You know, I slept in the shop on the vacant end of it,

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and just kinda worked with him

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building guitars for almost a year livin' there.

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At that time in '69, you know,

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there was a lot of drugs, and a lot of Hells Angels.

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I mean, it was too much for a country boy like me,

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(Guy chuckles) you know?

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(acoustic guitar strums "She Ain't Going Nowhere")

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I kinda needed to go back, to take care of my

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wife and child.

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But anyway, I was trying to be responsible,

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go back to Houston.

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- [Susanna] Bunny had problems of her own.

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She was pregnant, and miserable,

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and terrified to break the news to our mother.

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So when Guy asked Bunny to join him

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on the road trip back to Texas,

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she jumped at the chance to get away.

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- [Guy] What we decided to do,

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was to get a drive away car,

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and we drove across the

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Southwestern United States in that car.

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And at some point, we were...

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It was Arizona.

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There was a little Curio shop.

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I saw this ring.

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It just knocked me over, the design of it.

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Man, it just fit, like, perfect.

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- [Susanna] Bunny and Guy bought a turquoise ring

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that Guy would wear forever.

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It wasn't long after that trip

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that my beautiful sister, Bunny, killed herself.

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(guitar strums "She Ain't Goin' Nowhere)"

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♪ She ain't goin' nowhere, she's just leavin' ♪

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♪ She ain't goin' nowhere she can't breathe in ♪

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♪ And she ain't goin' home, and that's for sure ♪

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- [Susanna] Guy wrote "She Ain't Goin' Nowhere" for Bunny.

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♪ And she ain't goin' home, and that's for sure ♪

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- [Susanna] It's his favorite song he ever wrote.

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I called Guy,

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and asked him to come to Oklahoma for the funeral.

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- [Guy] And that was very, very growing up.

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I'm not the only person that's gone through it,

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but it was serious.

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And it was, you know...

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I mean, it was very sad,

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you know, to have your sister
blow her brains out, you know?

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That stuff happens.

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It's just part of being alive, you know,

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and going through this veil of tears.

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(somber acoustic guitar "She Ain't Going Nowhere")

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Susanna and I kinda migrated to one another

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during all of these

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goings on around Bunny's funeral.

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Susanna, for some reason, felt guilty about it.

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She thought it was her fault, you know?

236
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- [Susanna] We were heartbroken over Bunny's suicide,

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and Guy and I clung to each other.

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I was desperate to hold on to my sister,

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and Guy was the closest thing.

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In our grief over Bunny, we fell in love.

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- [Guy] I was just overjoyed to run into a woman,

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like Susanna, who was smart,

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was gifted, you know, and did something about it.

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It was just true love, I guess, you know?

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- [Susanna] After Bunny died, everything changed.

246
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There were so many reminders
of my sister in Oklahoma City.

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I just wanted to start over.

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- [Guy] I was more than willing to move to Oklahoma City.

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00:14:02,263 --> 00:14:04,142
All I wanted to do was be with her,

250
00:14:04,184 --> 00:14:06,391
and I don't care where it is, you know?

251
00:14:06,433 --> 00:14:09,869
So we just packed all her stuff in her car and my car,

252
00:14:09,911 --> 00:14:11,661
and moved to Houston.

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00:14:13,419 --> 00:14:14,910
- [Susanna] When I moved to Houston,

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00:14:14,952 --> 00:14:18,125
I did not know what I was getting myself into.

255
00:14:18,167 --> 00:14:20,622
Our house was a gathering place

256
00:14:20,664 --> 00:14:24,179
for stoners to drop in and get high.

257
00:14:24,221 --> 00:14:25,809
I painted while Guy went to work

258
00:14:25,851 --> 00:14:27,857
at the TV station every day.

259
00:14:27,899 --> 00:14:31,247
It was a terribly lonesome time for me.

260
00:14:31,289 --> 00:14:34,452
Guy is a stoic West Texas hard-ass,

261
00:14:34,494 --> 00:14:39,336
but he'd been close to Bunny, and that was our bond.

262
00:14:39,378 --> 00:14:41,011
Townes came over one day,

263
00:14:41,053 --> 00:14:43,496
wrapped me in a bear hug, and said,

264
00:14:43,538 --> 00:14:46,731
"If Guy loves you, then so do I".

265
00:14:46,773 --> 00:14:51,280
While Guy was distant and
distracted, I leaned on Townes.

266
00:14:51,322 --> 00:14:53,572
He was sweet and attentive.

267
00:14:54,493 --> 00:14:56,183
- [Guy] And I'd been the art director

268
00:14:56,225 --> 00:14:59,427
for the CBS affiliate in Houston.

269
00:14:59,469 --> 00:15:01,319
You know, I was playing at night,

270
00:15:01,361 --> 00:15:03,114
and tryin' to write songs,

271
00:15:03,156 --> 00:15:05,845
and I finally just snapped, you know,

272
00:15:05,887 --> 00:15:06,894
and said, "I can't do this".

273
00:15:06,936 --> 00:15:09,038
"I'm gonna go be a songwriter."

274
00:15:09,080 --> 00:15:11,386
I'm 30 years old, and if I don't do this,

275
00:15:11,428 --> 00:15:14,467
I will regret it for the rest of my life,

276
00:15:14,509 --> 00:15:16,514
or probably kill myself, you know?

277
00:15:16,556 --> 00:15:18,783
And I had met a couple of guys from Los Angeles

278
00:15:18,825 --> 00:15:21,588
who were traveling around, and looking for talent.

279
00:15:21,630 --> 00:15:24,148
So with just that much encouragement,

280
00:15:24,190 --> 00:15:25,633
Susanna and I packed up,

281
00:15:25,675 --> 00:15:28,925
and drove the VW bus all the way to LA.

282
00:15:30,902 --> 00:15:32,534
- [Susanna] We found a little guest house

283
00:15:32,576 --> 00:15:34,228
to rent in Long Beach.

284
00:15:34,270 --> 00:15:36,158
I painted and wrote songs.

285
00:15:36,200 --> 00:15:38,242
Guy painted and wrote songs too,

286
00:15:38,284 --> 00:15:40,442
and tried to get a publishing deal.

287
00:15:40,484 --> 00:15:44,207
He wanted to make his living as a songwriter.

288
00:15:44,249 --> 00:15:46,650
- [Guy] I mean, when I first went to LA

289
00:15:46,692 --> 00:15:49,833
to try to get in the music business, I had no tapes.

290
00:15:49,875 --> 00:15:51,502
I would go to people's office

291
00:15:51,544 --> 00:15:54,575
and play my guitar for 'em, you know?

292
00:15:54,617 --> 00:15:57,996
And they were just like, wow, that's different.

293
00:15:58,038 --> 00:16:00,340
- [Susanna] After Townes followed us to Los Angeles

294
00:16:00,382 --> 00:16:01,747
to record an album,

295
00:16:01,789 --> 00:16:05,946
his girlfriend was murdered
while hitchhiking around LA.

296
00:16:05,988 --> 00:16:07,626
Townes was grief-stricken,

297
00:16:07,668 --> 00:16:09,893
and it reminded me of Bunny.

298
00:16:09,935 --> 00:16:12,397
We sat together on the beach for days,

299
00:16:12,439 --> 00:16:14,863
and consoled each other.

300
00:16:14,905 --> 00:16:17,998
Guy finally landed a big publishing deal

301
00:16:18,040 --> 00:16:19,873
with RCA in Nashville.

302
00:16:20,955 --> 00:16:24,591
Outlaw songwriters gravitated to Tennessee

303
00:16:24,633 --> 00:16:27,146
to be a part of that scene.

304
00:16:27,188 --> 00:16:30,183
- It was the counterpart to Los Angeles,

305
00:16:30,225 --> 00:16:32,849
in the way that a music mecca,

306
00:16:32,891 --> 00:16:35,124
or city, could be a community.

307
00:16:35,166 --> 00:16:37,166
- [Susanna] Kris Kristofferson, Mickey Newbury,

308
00:16:37,208 --> 00:16:38,886
and Willie Nelson were just killing it

309
00:16:38,928 --> 00:16:41,070
with their poetic songs.

310
00:16:41,112 --> 00:16:43,636
- People started to see the impact of songs

311
00:16:43,678 --> 00:16:46,389
that weren't little darlin' songs, as they call 'em.

312
00:16:46,431 --> 00:16:49,556
There was a little more thoughtful

313
00:16:49,598 --> 00:16:51,679
kind of songwriting going on.

314
00:16:51,721 --> 00:16:54,777
And I think seeing those kinds of things happen

315
00:16:54,819 --> 00:16:56,971
is inspiring to people that aren't

316
00:16:57,013 --> 00:16:59,718
trying to put on a rhinestone outfit,

317
00:16:59,760 --> 00:17:03,677
and have a career as a singer of country songs.

318
00:17:05,195 --> 00:17:07,548
- [Susanna] Townes followed us to Nashville.

319
00:17:07,590 --> 00:17:11,107
We dragged a used mattress
from a grocery store dumpster

320
00:17:11,149 --> 00:17:13,049
for him to sleep on.

321
00:17:13,091 --> 00:17:16,427
Guy and I got married, and Townes was our best man.

322
00:17:16,469 --> 00:17:18,348
He was with us on our wedding night,

323
00:17:18,390 --> 00:17:21,828
and lived with us for the next eight months.

324
00:17:21,870 --> 00:17:22,719
- [Guy] I think we might've gotten

325
00:17:22,761 --> 00:17:24,864
a pint of vodka or somethin',

326
00:17:24,906 --> 00:17:28,394
just 'cause we didn't wanna get too drunk.

327
00:17:28,436 --> 00:17:30,239
- [Susanna] Guy and I were married.

328
00:17:30,281 --> 00:17:32,954
Guy and Townes were best friends,

329
00:17:32,996 --> 00:17:35,663
but Townes and I were soulmates.

330
00:17:38,324 --> 00:17:40,574
Guy and Townes got the flu.

331
00:17:41,483 --> 00:17:43,621
They were such babies. (Susanna chuckles)

332
00:17:43,663 --> 00:17:45,694
So I took care of them 'em.

333
00:17:45,736 --> 00:17:46,728
While they slept,

334
00:17:46,770 --> 00:17:48,907
I started painting the bouncing apple,

335
00:17:48,949 --> 00:17:51,701
but I ran outta white paint.

336
00:17:51,743 --> 00:17:54,094
Townes got some money from his publisher,

337
00:17:54,136 --> 00:17:56,121
and bought paint for me.

338
00:17:56,163 --> 00:17:57,392
We didn't have money for food,

339
00:17:57,434 --> 00:17:59,521
but Townes wanted me to have paint.

340
00:17:59,563 --> 00:18:00,851
(Susanna chuckles)

341
00:18:00,893 --> 00:18:04,143
It's the most important I've ever felt.

342
00:18:05,217 --> 00:18:06,417
- [Guy] And that was one of the reasons

343
00:18:06,459 --> 00:18:10,484
that they were such good friends, you know?

344
00:18:10,526 --> 00:18:14,341
He knew what was most important to Susanna.

345
00:18:14,383 --> 00:18:18,405
- [Susanna] Townes and I live in a mystical world.

346
00:18:18,447 --> 00:18:21,114
One that Guy doesn't understand.

347
00:18:22,213 --> 00:18:24,528
He gets mad at us when we talk over his head.

348
00:18:24,570 --> 00:18:25,478
(Susanna laughs)

349
00:18:25,520 --> 00:18:27,325
- [Guy] Yeah, one day in East Nashville,

350
00:18:27,367 --> 00:18:30,518
in the first little house we moved to,

351
00:18:30,560 --> 00:18:32,490
something had pissed me off

352
00:18:32,532 --> 00:18:35,271
about the way Townes and Susanna

353
00:18:35,313 --> 00:18:38,750
were denigrating my intelligence,

354
00:18:38,792 --> 00:18:41,046
and I was offended.

355
00:18:41,088 --> 00:18:43,588
So I proceeded to just quietly

356
00:18:45,862 --> 00:18:49,108
go get a hammer and some nails.

357
00:18:49,150 --> 00:18:50,274
(objects clattering)

358
00:18:50,316 --> 00:18:51,107
I don't know.

359
00:18:51,149 --> 00:18:53,519
I just nailed myself in that front room.

360
00:18:53,561 --> 00:18:55,375
(knocking)

361
00:18:55,417 --> 00:18:57,461
- [Susanna] So he nailed himself in the room,

362
00:18:57,503 --> 00:18:59,346
and he nailed the window shut too.

363
00:18:59,388 --> 00:19:02,136
(mellow instrumental "Let Him Roll")

364
00:19:02,178 --> 00:19:05,243
♪ So he died ♪

365
00:19:05,285 --> 00:19:06,866
- [Susanna] Guy may have had a hissy fit,

366
00:19:06,908 --> 00:19:11,908
but he wrote "Let Him Roll" while he was in that room.

367
00:19:12,178 --> 00:19:16,625
♪ Just let him roll ♪

368
00:19:16,667 --> 00:19:18,280
♪ Lord, let him roll ♪

369
00:19:18,322 --> 00:19:19,454
- [Townes] Guy and I, one time,

370
00:19:19,496 --> 00:19:21,405
we were living together in Nashville,

371
00:19:21,447 --> 00:19:24,755
and our house was infested by mice.

372
00:19:24,797 --> 00:19:26,095
We got this system down,

373
00:19:26,137 --> 00:19:27,495
where Guy would get a broom,

374
00:19:27,537 --> 00:19:30,040
and I'd hide around the corner with a paper sack,

375
00:19:30,082 --> 00:19:32,211
and Guy would chase the mice down the hall.

376
00:19:32,253 --> 00:19:33,496
As soon as he'd hit the corner,

377
00:19:33,538 --> 00:19:36,191
he'd give 'em a lick with the broom into the sack.

378
00:19:36,233 --> 00:19:37,984
And we had a sack full of like, what?

379
00:19:38,026 --> 00:19:39,383
Eight mice. (Guy laughs)

380
00:19:39,425 --> 00:19:42,313
And we went down to a local pool room in Nashville,

381
00:19:42,355 --> 00:19:43,972
turned 'em loose on the pool table.

382
00:19:44,014 --> 00:19:46,054
Kinda like split through the pockets, right?

383
00:19:46,096 --> 00:19:47,633
(Guy laughs) Pew, pew, pew, pew.

384
00:19:47,675 --> 00:19:49,219
And some guys come, (balls clang)

385
00:19:49,261 --> 00:19:51,318
and started this game of 8-ball,

386
00:19:51,360 --> 00:19:53,363
and every time somebody would sink a ball

387
00:19:53,405 --> 00:19:55,468
in the pockets, you know,

388
00:19:55,510 --> 00:19:58,535
Susanna, Guy's wife, was,

389
00:19:58,577 --> 00:20:01,576
"Oh, no, oh, no!".

390
00:20:01,618 --> 00:20:03,394
She was like imagining all the little mice

391
00:20:03,436 --> 00:20:04,514
running around the tube,

392
00:20:04,556 --> 00:20:07,464
you know, the eight ball was right behind 'em.

393
00:20:07,506 --> 00:20:08,410
We finally had to leave.

394
00:20:08,452 --> 00:20:09,783
We had to take Susanna home.

395
00:20:09,825 --> 00:20:11,908
(Guy laughs) (Townes laughs)

396
00:20:11,950 --> 00:20:14,808
- [Guy] Yep, we know how to have a good time,

397
00:20:14,850 --> 00:20:18,015
don't we? (both laughing)

398
00:20:18,057 --> 00:20:21,065
All right. (acoustic guitar strumming)

399
00:20:21,107 --> 00:20:24,074
- [Susanna] "It was just after we said I do

400
00:20:24,116 --> 00:20:27,608
that I ever knew there was any one but you."

401
00:20:27,650 --> 00:20:31,717
"It was at one of those parties they give us newlyweds

402
00:20:31,759 --> 00:20:35,658
that I ever craved another man's bed."

403
00:20:35,700 --> 00:20:37,669
"He told me he'd rather give his own life

404
00:20:37,711 --> 00:20:41,468
than take the love of his best friend's wife."

405
00:20:41,510 --> 00:20:45,154
"Now we've lived this way for the last thousand years,

406
00:20:45,196 --> 00:20:49,293
measured with tears for my husband and his wife."

407
00:20:49,335 --> 00:20:51,973
"Now he comes to visit, and we all play cards,

408
00:20:52,015 --> 00:20:55,486
and we study the peach trees in the backyard."

409
00:20:55,528 --> 00:20:59,566
"Then 12 o'clock comes, and he must depart."

410
00:20:59,608 --> 00:21:03,025
"One is my soul, and the other my heart."

411
00:21:06,048 --> 00:21:10,071
(acoustic guitar strums "LA Freeway")

412
00:21:10,113 --> 00:21:12,932
We were thrilled when Jerry
Jeff Walker came through town,

413
00:21:12,974 --> 00:21:15,950
and picked up a couple of Guy's songs.

414
00:21:15,992 --> 00:21:17,521
- [Jerry Jeff] I go to New York, and I said,

415
00:21:17,563 --> 00:21:20,567
"I'm gonna do the song on that, finishin' this project."

416
00:21:20,609 --> 00:21:22,445
"I'm gonna do 'Old Time Feeling',

417
00:21:22,487 --> 00:21:24,628
but you guys oughta listen to Guy Clark."

418
00:21:24,670 --> 00:21:26,202
"He really writes some good stuff."

419
00:21:26,244 --> 00:21:28,526
I said, "He wrote this other song called 'LA Freeway'",

420
00:21:28,568 --> 00:21:31,068
and I played just that chorus,

421
00:21:32,280 --> 00:21:34,683
and they go, "Do that one",

422
00:21:34,725 --> 00:21:38,326
and I said, "Okay, I'll do 'em both".

423
00:21:38,368 --> 00:21:41,136
So I wound up doing "Old Time Feeling" and "LA Freeway",

424
00:21:41,178 --> 00:21:43,416
and, of course, the hit had the chorus,

425
00:21:43,458 --> 00:21:44,886
and it had everything else.

426
00:21:44,928 --> 00:21:47,446
- [Susanna] Jerry Jeff put Guy on the map.

427
00:21:47,488 --> 00:21:51,793
"LA Freeway" was a hit, and Guy's career took off.

428
00:21:51,835 --> 00:21:54,163
- [Guy] Susanna and I were living in Los Angeles

429
00:21:54,205 --> 00:21:56,067
when I was workin' at the Dobro factory.

430
00:21:56,109 --> 00:21:59,156
I was playing in a little string band at night,

431
00:21:59,198 --> 00:22:00,626
and about 4:30 in the morning,

432
00:22:00,668 --> 00:22:04,346
we're driving back to LA after the gig,

433
00:22:04,388 --> 00:22:06,616
falling asleep in the back of this old Cadillac,

434
00:22:06,658 --> 00:22:10,336
and I sat up, and I looked around to see where we were,

435
00:22:10,378 --> 00:22:14,273
and I said, "If I could just get off of this LA Freeway"

436
00:22:14,315 --> 00:22:17,148
without getting killed or caught",

437
00:22:18,934 --> 00:22:21,722
and started to go back to sleep,

438
00:22:21,764 --> 00:22:24,264
and I went, "Write that down".

439
00:22:25,533 --> 00:22:28,061
And I got Susanna's eyebrow pencil,

440
00:22:28,103 --> 00:22:31,041
and a burger sack, and wrote,

441
00:22:31,083 --> 00:22:33,520
"If I can just get off this LA Freeway

442
00:22:33,562 --> 00:22:35,775
without getting killed or caught",

443
00:22:35,817 --> 00:22:38,665
put it in my pocket, and went back to sleep.

444
00:22:38,707 --> 00:22:41,057
And I carried that in my billfold,

445
00:22:41,099 --> 00:22:45,849
in my wallet, for two years,
until we moved to Nashville.

446
00:22:47,378 --> 00:22:50,186
My only tip about writing, or songwriting, is,

447
00:22:50,228 --> 00:22:54,901
if you have an idea, if you have a flash, write it down.

448
00:22:54,943 --> 00:22:58,848
'Cause if you don't, five minutes, you'll forget it.

449
00:22:58,890 --> 00:23:02,931
(acoustic guitar strums "LA Freeway")

450
00:23:02,973 --> 00:23:06,285
- [Susanna] Luckenbach, Texas is a sacred place for Guy.

451
00:23:06,327 --> 00:23:08,381
He loves to go to Luckenbach.

452
00:23:08,423 --> 00:23:12,200
One night, Guy described every detail of Luckenbach

453
00:23:12,242 --> 00:23:15,480
to our songwriter friend, Chips Moman.

454
00:23:15,522 --> 00:23:18,096
- [Guy] And I was telling Bobby and Chips

455
00:23:18,138 --> 00:23:21,160
what a cool place Luckenbach, Texas was,

456
00:23:21,202 --> 00:23:23,514
'cause I was getting ready to go there.

457
00:23:23,556 --> 00:23:25,601
We were going, "And y'all oughta just go with me".

458
00:23:25,643 --> 00:23:27,022
"Come on, let's go."

459
00:23:27,064 --> 00:23:29,471
"Okay, man, I'm with you."

460
00:23:29,513 --> 00:23:32,728
- [Susanna] Chips didn't come to Luckenbach with us.

461
00:23:32,770 --> 00:23:35,573
In fact, Chips never went to Luckenbach,

462
00:23:35,615 --> 00:23:39,409
but that didn't stop him from writing a song about it.

463
00:23:39,451 --> 00:23:42,443
♪ Let's go to Luckenbach, Texas ♪

464
00:23:42,485 --> 00:23:46,083
♪ With Willie, Waylon and the boys ♪

465
00:23:46,125 --> 00:23:49,024
- [Guy] 'Cause it was such a well-rendered story.

466
00:23:49,066 --> 00:23:51,174
♪ This successful life we're livin' ♪

467
00:23:51,216 --> 00:23:54,564
♪ Got us feuding like the Hatfields and McCoys ♪

468
00:23:54,606 --> 00:23:56,474
- "Luckenbach, Texas" might be the song

469
00:23:56,516 --> 00:23:59,526
that defined that whole outlaw movement.

470
00:23:59,568 --> 00:24:02,060
That's one of those that everybody knows.

471
00:24:02,102 --> 00:24:03,352
You sing along.

472
00:24:04,850 --> 00:24:06,600
It's part of our DNA.

473
00:24:07,560 --> 00:24:10,232
♪ Out in Luckenbach, Texas ♪

474
00:24:10,274 --> 00:24:13,212
♪ Ain't nobody feelin' no pain ♪

475
00:24:13,254 --> 00:24:16,461
Its like I heard it and went, oh no man, come on.

476
00:24:16,503 --> 00:24:20,548
I'm not offended by the fact that they did that.

477
00:24:20,590 --> 00:24:22,795
I don't think I am.

478
00:24:22,837 --> 00:24:25,336
- [Susanna] Actually, Guy never got over it.

479
00:24:25,378 --> 00:24:28,035
It was a missed opportunity.

480
00:24:28,077 --> 00:24:30,077
That song made millions.

481
00:24:34,303 --> 00:24:38,828
Songwriters with lofty
ideals knew where to find Guy.

482
00:24:38,870 --> 00:24:41,041
He didn't care about mainstream music.

483
00:24:41,083 --> 00:24:45,607
His only desire was to write
songs as great literature.

484
00:24:45,649 --> 00:24:48,777
Our house was a hippie poet salon.

485
00:24:48,819 --> 00:24:53,652
- "So that was just a moveable feast", to quote Hemingway.

486
00:24:55,070 --> 00:24:56,732
But Guy was really the center of it.

487
00:24:56,774 --> 00:25:00,343
I've always said, he was the curator of what was good.

488
00:25:00,385 --> 00:25:02,357
- So the salon existed,

489
00:25:02,399 --> 00:25:04,851
because we had no other way to figure out

490
00:25:04,893 --> 00:25:06,738
our audience was ourselves.

491
00:25:06,780 --> 00:25:10,863
- That is where Guy's creativity was at its best,

492
00:25:13,020 --> 00:25:14,295
and at its finest.

493
00:25:14,337 --> 00:25:17,434
He had a jeweler's eye in that moment,

494
00:25:17,476 --> 00:25:20,393
and was a profound influence on me.

495
00:25:21,589 --> 00:25:22,615
- [Steve] So we were just playing songs,

496
00:25:22,657 --> 00:25:23,606
trying to impress each other,

497
00:25:23,648 --> 00:25:25,816
'cause we had no other audience except ourselves,

498
00:25:25,858 --> 00:25:28,079
which makes a very jaded, tough audience,

499
00:25:28,121 --> 00:25:31,299
and I think sometimes it accelerated, you know,

500
00:25:31,341 --> 00:25:32,926
how good we got.

501
00:25:32,968 --> 00:25:34,468
- All right, do it.

502
00:25:35,378 --> 00:25:39,103
- Guy, wasn't in the business of harvesting stardom.

503
00:25:39,145 --> 00:25:41,812
He was in the business of harvesting art,

504
00:25:41,854 --> 00:25:44,308
and harvesting poetry.

505
00:25:44,350 --> 00:25:45,294
- Listen to that song.

506
00:25:45,336 --> 00:25:47,432
- [Rodney] He could identify what was true,

507
00:25:47,474 --> 00:25:49,224
and real, and good,

508
00:25:49,266 --> 00:25:52,933
and really insightful, incisive, true songs.

509
00:25:55,212 --> 00:25:58,080
Most everybody that I knew wanted to be around that.

510
00:25:58,122 --> 00:25:59,794
- All right. - Yay! (hand claps)

511
00:25:59,836 --> 00:26:01,094
- I certainly did,

512
00:26:01,136 --> 00:26:02,905
'cause I wanted to learn about that.

513
00:26:02,947 --> 00:26:04,320
- We weren't trying to impress Guy

514
00:26:04,362 --> 00:26:06,705
as much as we were trying to impress Susanna,

515
00:26:06,747 --> 00:26:07,846
and the reason we felt that way,

516
00:26:07,888 --> 00:26:10,600
is because Guy was trying to impress Susanna.

517
00:26:10,642 --> 00:26:15,286
- You know, Guy was the sun, and it's just all, you know,

518
00:26:15,328 --> 00:26:18,435
there was a lot of planets spinning around there,

519
00:26:18,477 --> 00:26:23,477
and, you know, maybe Susanna was the sun sometimes,

520
00:26:23,540 --> 00:26:25,015
and Guy was the moon,

521
00:26:25,057 --> 00:26:28,259
and then Guy was the sun, and Susanna was the moon,

522
00:26:28,301 --> 00:26:31,483
and the rest of these artists
would orbit around that.

523
00:26:31,525 --> 00:26:32,585
- They were both artists.

524
00:26:32,627 --> 00:26:34,145
They both carried themselves as artists.

525
00:26:34,187 --> 00:26:37,153
You know, we learned to write
songs from Guy and Townes,

526
00:26:37,195 --> 00:26:37,993
but we learned how to

527
00:26:38,035 --> 00:26:40,409
carry ourselves as artists from Susanna.

528
00:26:40,451 --> 00:26:41,957
- She drank a lot.

529
00:26:41,999 --> 00:26:43,180
I mean she drank heavy, you know?

530
00:26:43,222 --> 00:26:44,946
She was two fisted, you know?

531
00:26:44,988 --> 00:26:46,331
She said, well, I'll show, you know,

532
00:26:46,373 --> 00:26:48,411
I'm hangin' with a Guy and Townes,

533
00:26:48,453 --> 00:26:51,120
that I can drink as much as they do.

534
00:26:51,162 --> 00:26:54,693
You know, I can do as much blow as they do, you know?

535
00:26:54,735 --> 00:26:57,801
And I can be more lucid than they are.

536
00:26:57,843 --> 00:27:01,696
And she was fun, and she was painting,

537
00:27:01,738 --> 00:27:03,028
and she was a poet,

538
00:27:03,070 --> 00:27:08,070
she just, you know, had a, like a magic wand, in a way.

539
00:27:09,057 --> 00:27:11,428
That, tap you on the shoulders a couple of times

540
00:27:11,470 --> 00:27:13,108
with my magic wand,

541
00:27:13,150 --> 00:27:16,173
and you, too, will have the magic,

542
00:27:16,215 --> 00:27:18,064
and you, too, will be an artist,

543
00:27:18,106 --> 00:27:23,106
and you, too, will understand that art is the process.

544
00:27:23,437 --> 00:27:25,437
It's not the end result.

545
00:27:27,026 --> 00:27:28,055
- [Guy] She was a great painter,

546
00:27:28,097 --> 00:27:30,740
but she wouldn't clean a brush.

547
00:27:30,782 --> 00:27:33,143
She'd let it dry, and throw it away,

548
00:27:33,185 --> 00:27:34,977
you know, $100 brush,

549
00:27:35,019 --> 00:27:36,936
and I'm goin', come on.

550
00:27:38,360 --> 00:27:40,470
She wouldn't wash a pan.

551
00:27:40,512 --> 00:27:44,345
She'd go buy a new $50 copper clad frying pan,

552
00:27:45,533 --> 00:27:48,866
use it once, burn it, and throw it away.

553
00:27:50,451 --> 00:27:53,701
"It's about the food, the nourishment."

554
00:27:54,702 --> 00:27:57,540
"It's not about washin' dishes."

555
00:27:57,582 --> 00:27:59,488
And that was it, you know?

556
00:27:59,530 --> 00:28:03,016
It was just like, you can't argue with that, you know?

557
00:28:03,058 --> 00:28:07,114
- She was as no BS as Guy was, you know?

558
00:28:07,156 --> 00:28:09,977
They were the perfect pair, you know?

559
00:28:10,019 --> 00:28:13,086
And they're the kinda couple that

560
00:28:13,128 --> 00:28:14,796
you dream about being,

561
00:28:14,838 --> 00:28:16,980
in that it's not one or the other,

562
00:28:17,022 --> 00:28:18,439
it's always both.

563
00:28:20,684 --> 00:28:22,629
- [Susanna] Guy didn't care about hit songs.

564
00:28:22,671 --> 00:28:24,360
He cared about great songs,

565
00:28:24,402 --> 00:28:28,319
and those great songs landed him a record deal.

566
00:28:29,370 --> 00:28:33,037
- [Guy] I had a stack of songs to draw from,

567
00:28:34,269 --> 00:28:36,539
and RCA was gonna put out the record,

568
00:28:36,581 --> 00:28:40,241
and they brought some producer down from New York.

569
00:28:40,283 --> 00:28:41,775
I mean, he was a nice enough guy,

570
00:28:41,817 --> 00:28:44,484
but he was prissy and in charge.

571
00:28:45,325 --> 00:28:46,116
(Guy chuckles)

572
00:28:46,158 --> 00:28:49,319
Two things I really don't get along with.

573
00:28:49,361 --> 00:28:51,162
Well, it was all brand new for me.

574
00:28:51,204 --> 00:28:53,222
I'd never played with a drummer

575
00:28:53,264 --> 00:28:55,454
before I came to Nashville, you know?

576
00:28:55,496 --> 00:28:58,409
Being in a recording studio was exciting,

577
00:28:58,451 --> 00:29:01,233
you know, to actually go in a
studio, and have a full band.

578
00:29:01,275 --> 00:29:03,732
I always thought it sounded like shit

579
00:29:03,774 --> 00:29:06,758
but it was exciting, you know?

580
00:29:06,800 --> 00:29:10,224
But I finally just said, "Man, stop this right now".

581
00:29:10,266 --> 00:29:11,762
"If you put this record out,

582
00:29:11,804 --> 00:29:15,191
I'll change my fuckin' name, and do somethin' else."

583
00:29:15,233 --> 00:29:16,071
- [Susanna] Guy was miserable

584
00:29:16,113 --> 00:29:18,155
making records the Nashville way.

585
00:29:18,197 --> 00:29:19,810
Guy was a folk singer.

586
00:29:19,852 --> 00:29:24,426
He cared about acoustic
guitars and meaningful lyrics.

587
00:29:24,468 --> 00:29:26,907
- [Guy] We just kind of scrambled around,

588
00:29:26,949 --> 00:29:28,731
Rodney and some friends,

589
00:29:28,773 --> 00:29:31,950
and kinda scabbed some demos that I had been doing,

590
00:29:31,992 --> 00:29:35,851
and fixed 'em up, and just did it almost for nothin',

591
00:29:35,893 --> 00:29:37,925
'cause we'd already spent all the money

592
00:29:37,967 --> 00:29:39,550
on the first album.

593
00:29:40,971 --> 00:29:41,900
- [Susanna] When Guy sang

594
00:29:41,942 --> 00:29:44,289
"Desperados Waiting For The Train" for Townes,

595
00:29:44,331 --> 00:29:46,908
Townes said, "Gone commercial, huh?".

596
00:29:46,950 --> 00:29:47,868
(Susanna laughs)

597
00:29:47,910 --> 00:29:50,467
Guy could go in, and sing a song in front of an audience,

598
00:29:50,509 --> 00:29:52,252
and he wouldn't give a flying fuck,

599
00:29:52,294 --> 00:29:54,189
but if he sang it in front of Townes,

600
00:29:54,231 --> 00:29:58,648
Guy would be crazy until Townes gave the lordly okay.

601
00:30:00,170 --> 00:30:02,957
Townes was the yardstick.

602
00:30:02,999 --> 00:30:05,472
(guitar strums "Desperados Waiting for a Train")

603
00:30:05,514 --> 00:30:09,150
Old No 1 painted a picture of Guys' childhood,

604
00:30:09,192 --> 00:30:12,196
in the West Texas town of Monahans.

605
00:30:12,238 --> 00:30:15,694
- [Guy] I mean, West Texas is really austere,

606
00:30:15,736 --> 00:30:16,796
and it's really beautiful.

607
00:30:16,838 --> 00:30:18,084
I really love the desert.

608
00:30:18,126 --> 00:30:21,806
I mean, it's like stunningly
beautiful at certain times,

609
00:30:21,848 --> 00:30:23,931
and it's also very harsh.

610
00:30:26,142 --> 00:30:26,975
Cold, hot.

611
00:30:30,196 --> 00:30:31,363
But I think it

612
00:30:33,779 --> 00:30:35,846
it shapes your character in a way

613
00:30:35,888 --> 00:30:39,380
that no other place in the world does.

614
00:30:39,422 --> 00:30:41,345
I mean, I saw stuff growing up

615
00:30:41,387 --> 00:30:44,995
that I wouldn't trade for anything.

616
00:30:45,037 --> 00:30:48,610
I've seen oil wells blow out, like gushers.

617
00:30:48,652 --> 00:30:50,970
I could never forget the smell

618
00:30:51,012 --> 00:30:55,112
of just raw crude oil comin' out of the ground,

619
00:30:55,154 --> 00:30:56,575
or way over the derrick,

620
00:30:56,617 --> 00:30:57,746
(Guy laughs)

621
00:30:57,788 --> 00:31:00,582
you know, stuff like that.

622
00:31:00,624 --> 00:31:02,707
Tumbleweeds, sand storms.

623
00:31:05,152 --> 00:31:06,896
- [Susanna] Guy came from tough stock.

624
00:31:06,938 --> 00:31:09,241
He lived like he was in some old Western movie,

625
00:31:09,283 --> 00:31:13,528
badass grandmothers, and
an old wildcatter desperado

626
00:31:13,570 --> 00:31:17,088
named Jack Prigg, his best friend.

627
00:31:17,130 --> 00:31:19,849
- [Guy] I just happened to run across this crusty, old guy

628
00:31:19,891 --> 00:31:21,511
who drilled oil wells all over the world.

629
00:31:21,553 --> 00:31:23,951
I mean, the first wells in South America,

630
00:31:23,993 --> 00:31:28,311
and the first wells in Iraq, and Iran in the '20s.

631
00:31:28,353 --> 00:31:29,144
Never married,

632
00:31:29,186 --> 00:31:32,286
but wound up living at my grandmother's hotel.

633
00:31:32,328 --> 00:31:34,725
In World War II, my father was overseas,

634
00:31:34,767 --> 00:31:37,030
and this was who took me everywhere,

635
00:31:37,072 --> 00:31:40,460
and taught me everything, showed me how to whittle,

636
00:31:40,502 --> 00:31:43,589
took me to bars, taught me to drive.

637
00:31:43,631 --> 00:31:46,581
I jokingly say he was like my grandfather.

638
00:31:46,623 --> 00:31:49,239
He was kinda my grandmother's boyfriend,

639
00:31:49,281 --> 00:31:52,154
but he was like part of the family.

640
00:31:52,196 --> 00:31:55,863
(guitar strums "Desperados Waiting for a Train")

641
00:31:56,804 --> 00:32:01,804
Both of my grandmothers
were just, like, tough as nails.

642
00:32:02,074 --> 00:32:04,719
My father's mother had her leg amputated

643
00:32:04,761 --> 00:32:08,356
on the kitchen table when she was 12-years-old,

644
00:32:08,398 --> 00:32:13,160
and wound up runnin' this hotel in Monahans, Texas.

645
00:32:13,202 --> 00:32:16,040
Her husband was a drug addict.

646
00:32:16,082 --> 00:32:19,332
"Pharmacist" is what he called himself, (Guy laughs)

647
00:32:20,379 --> 00:32:22,659
and left, when my father was seven, I think.

648
00:32:22,701 --> 00:32:24,034
Never came back.

649
00:32:25,148 --> 00:32:27,863
She was just a little, gray haired, church going lady,

650
00:32:27,905 --> 00:32:31,848
and she bootlegged whiskey
out of the back of her hotel.

651
00:32:31,890 --> 00:32:34,658
And the other one came from
Kentucky in a covered wagon

652
00:32:34,700 --> 00:32:39,174
to the Indian territory when she was 12-years-old,

653
00:32:39,216 --> 00:32:41,579
and I think they moved to San Antonio,

654
00:32:41,621 --> 00:32:45,608
and dealt horses out of the back of a wagon.

655
00:32:45,650 --> 00:32:48,228
And she wound up back in Oklahoma.

656
00:32:48,270 --> 00:32:49,948
And was a federal judge.

657
00:32:49,990 --> 00:32:52,573
You know, sent guys to the pen.

658
00:32:54,259 --> 00:32:55,509
Just like, wow!

659
00:32:57,388 --> 00:33:00,853
- There is something romantic about Texas, you know,

660
00:33:00,895 --> 00:33:04,645
and all of its glory, and all its debauchery,

661
00:33:05,529 --> 00:33:08,862
and a Guy was the literary genius of it.

662
00:33:11,411 --> 00:33:14,294
His songs were literature.

663
00:33:14,336 --> 00:33:18,411
(guitar strums "Desperados Waiting for a Train")

664
00:33:18,453 --> 00:33:21,046
- [Susanna] Old No 1 had great reviews,

665
00:33:21,088 --> 00:33:23,081
but did not sell.

666
00:33:23,123 --> 00:33:24,326
- [Guy] I just wasn't cut out

667
00:33:24,368 --> 00:33:27,618
to do the Nashville country star thing.

668
00:33:28,508 --> 00:33:31,301
They found that out pretty quick.

669
00:33:31,343 --> 00:33:34,597
- [Susanna] It was a big deal
when Dottsy recorded my song,

670
00:33:34,639 --> 00:33:36,666
"I'll be your San Antone Rose".

671
00:33:36,708 --> 00:33:39,171
Suddenly, I was a hit songwriter,

672
00:33:39,213 --> 00:33:43,078
while RCA was still trying to get Guy off the ground.

673
00:33:43,120 --> 00:33:45,246
- She knew how to put a lot of heart into these songs

674
00:33:45,288 --> 00:33:47,446
that were still kinda basically,

675
00:33:47,488 --> 00:33:50,591
kind of basic country songs
that were pretty commercial.

676
00:33:50,633 --> 00:33:53,656
So therefore, she was more
successful at it than we were.

677
00:33:53,698 --> 00:33:55,251
- [Guy] She just watched Townes and I go through

678
00:33:55,293 --> 00:33:59,301
all of this angst, and artistic whatever,

679
00:33:59,343 --> 00:34:03,487
that we were trying to write
songs, and make a difference,

680
00:34:03,529 --> 00:34:05,085
and she could just sit down,

681
00:34:05,127 --> 00:34:07,899
and write anything off the top of her head,

682
00:34:07,941 --> 00:34:09,955
and have a hit number one song, you know?

683
00:34:09,997 --> 00:34:10,788
She'd say,

684
00:34:10,830 --> 00:34:11,768
"Is that what y'all were trying to do?".

685
00:34:11,810 --> 00:34:15,551
You know, we're just like, oh, fuck, you know?

686
00:34:15,593 --> 00:34:17,151
She considered herself a painter

687
00:34:17,193 --> 00:34:18,996
who dabbled in song writing.

688
00:34:19,038 --> 00:34:21,771
She had a guitar, but she never learned to tune it.

689
00:34:21,813 --> 00:34:23,821
This isn't about learning to play the guitar.

690
00:34:23,863 --> 00:34:25,501
It's about writin' hit songs.

691
00:34:25,543 --> 00:34:28,307
(Guy laughs)

692
00:34:28,349 --> 00:34:29,620
- [Susanna] While Guy scrambled

693
00:34:29,662 --> 00:34:31,776
to make Old No 1 into something,

694
00:34:31,818 --> 00:34:35,192
Townes went back and forth
between Nashville and Austin.

695
00:34:35,234 --> 00:34:36,621
When we were not together,

696
00:34:36,663 --> 00:34:39,269
Townes still called me every morning at 8:30.

697
00:34:39,311 --> 00:34:44,061
We talked about language,
and words, and poetry, and songs.

698
00:34:44,103 --> 00:34:45,021
More often than not,

699
00:34:45,063 --> 00:34:47,140
he'd read me his new poem of the day.

700
00:34:47,182 --> 00:34:49,661
Songs always had to work

701
00:34:49,703 --> 00:34:53,451
as a poem on paper first, Townes' rule.

702
00:34:53,493 --> 00:34:54,659
(male speaks indistinctly) (Susanna laughs)

703
00:34:54,701 --> 00:34:55,839
(all laughing)

704
00:34:55,881 --> 00:34:59,474
On Christmas Eve, 1976, Townes came over.

705
00:34:59,516 --> 00:35:02,495
I got T.R. out to document our conversation.

706
00:35:02,537 --> 00:35:07,537
(Townes picks upbeat guitar tune)

707
00:35:32,006 --> 00:35:36,989
(Townes picks upbeat guitar tune)

708
00:35:51,814 --> 00:35:55,397
(Guy and Susanna laughing)

709
00:37:39,461 --> 00:37:41,777
(bad acoustic guitar buzzer sounds)

710
00:37:44,003 --> 00:37:45,509
(all laughing)

711
00:37:45,551 --> 00:37:47,490
(guitar strums "Texas Cookin'")

712
00:37:47,532 --> 00:37:48,511
- [Guy] Well, I'm 41.

713
00:37:48,553 --> 00:37:51,181
I have blue eyes, and I like fried chicken.

714
00:37:51,223 --> 00:37:52,825
- [Susanna] RCA had high hopes

715
00:37:52,867 --> 00:37:56,707
for Guy's next record, Texas Cookin'.

716
00:37:56,749 --> 00:37:58,639
- [Guy] You know, I wrote it after I moved to Nashville,

717
00:37:58,681 --> 00:38:01,164
'cause I couldn't get any real food.

718
00:38:01,206 --> 00:38:02,889
You know, you can't buy barbecue here.

719
00:38:02,931 --> 00:38:05,299
Only barbecue is pork, you know?

720
00:38:05,341 --> 00:38:06,829
- [Susanna] A few Texas radio stations

721
00:38:06,871 --> 00:38:08,240
got on board with the single,

722
00:38:08,282 --> 00:38:11,888
but RCA wanted a national hit on country radio,

723
00:38:11,930 --> 00:38:13,435
and it was not happening.

724
00:38:13,477 --> 00:38:14,268
♪ Come back home ♪

725
00:38:14,310 --> 00:38:15,354
- [Guy] It's a hard thing to do, you know?

726
00:38:15,396 --> 00:38:17,248
I mean, where do you put a record like that?

727
00:38:17,290 --> 00:38:19,114
I mean, is that country, or is that pop?

728
00:38:19,156 --> 00:38:21,052
You know, they don't really have a record bin

729
00:38:21,094 --> 00:38:22,052
to put that stuff in,

730
00:38:22,094 --> 00:38:24,343
and they don't really know what to do with it.

731
00:38:24,385 --> 00:38:29,385
♪ Oh my, mama, ain't that Texas cookin' somethin' ♪

732
00:38:29,478 --> 00:38:33,133
- "Why didn't Guy Clark become a big star",

733
00:38:33,175 --> 00:38:35,077
you know, quote unquote?

734
00:38:35,119 --> 00:38:36,228
Well, I can tell you a story

735
00:38:36,270 --> 00:38:39,353
that, to me, illustrates it in a way.

736
00:38:40,535 --> 00:38:43,134
Guy had Old No. 1 out,

737
00:38:43,176 --> 00:38:46,889
and was getting booked on Austin City Limits.

738
00:38:46,931 --> 00:38:49,086
So he said, "Come on, go down".

739
00:38:49,128 --> 00:38:50,611
"Let's go do Austin City Limits,

740
00:38:50,653 --> 00:38:53,246
come sing harmony with me, and play guitar".

741
00:38:53,288 --> 00:38:56,759
- [Announcer] Tonight, It's Texas Cookin' with Guy Clark.

742
00:38:56,801 --> 00:38:59,382
- The night before the shoot,

743
00:38:59,424 --> 00:39:03,471
which if somebody were thinking about stardom,

744
00:39:03,513 --> 00:39:05,263
and image projection,

745
00:39:07,377 --> 00:39:10,043
we'd all gone to bed, got some rest,

746
00:39:10,085 --> 00:39:15,085
and got up, and got on with
the business of becoming a star.

747
00:39:15,311 --> 00:39:17,568
But Jerry Jeff came around to the hotel,

748
00:39:17,610 --> 00:39:19,217
and a couple of other yahoos,

749
00:39:19,259 --> 00:39:22,544
and we stayed up all night swapping songs.

750
00:39:22,586 --> 00:39:25,165
♪ Run his fingers through ♪

751
00:39:25,207 --> 00:39:26,825
♪ Seventy years ♪ - Guy didn't care about

752
00:39:26,867 --> 00:39:28,524
pleasing the record label.

753
00:39:28,566 --> 00:39:30,431
He was passionate about the songs,

754
00:39:30,473 --> 00:39:33,683
and he was hell bent on doing things his way.

755
00:39:33,725 --> 00:39:35,058
RCA dropped him.

756
00:39:37,599 --> 00:39:42,599
♪ We was friends, me and this old man ♪

757
00:39:42,722 --> 00:39:47,722
♪ Was like desperados waiting for a train ♪

758
00:39:50,022 --> 00:39:54,855
♪ Was like desperados waiting for a train ♪

759
00:40:00,833 --> 00:40:02,551
♪ Well, he's a drifter ♪

760
00:40:02,593 --> 00:40:07,593
♪ And a driller of oil wells ♪

761
00:40:08,182 --> 00:40:13,148
♪ And an old school man of the world ♪

762
00:40:13,190 --> 00:40:14,264
- [Susanna] He signed a deal

763
00:40:14,306 --> 00:40:17,309
with another major label, Warner Brothers,

764
00:40:17,351 --> 00:40:20,184
just down the street on Music Row.

765
00:40:22,219 --> 00:40:24,893
♪ And he'd wink and give me money ♪

766
00:40:24,935 --> 00:40:27,653
- [Guy] And I got real enamored with Warner Brothers,

767
00:40:27,695 --> 00:40:30,888
and that whole scene Emmylou was in.

768
00:40:30,930 --> 00:40:33,371
The guys in LA were throwing money around,

769
00:40:33,413 --> 00:40:35,820
like it was nuts, you know?

770
00:40:35,862 --> 00:40:40,362
I mean, I was spending $125,000 on an album, you know?

771
00:40:41,481 --> 00:40:46,481
It was just absolutely stupid. ♪ Waiting for a train ♪

772
00:40:46,582 --> 00:40:50,692
- [Susanna] Warner Brothers
released the album Guy Clark.

773
00:40:50,734 --> 00:40:54,356
It bombed. ♪ Waiting for a train ♪

774
00:40:54,398 --> 00:40:58,898
♪ Like desperados waiting for a train ♪

775
00:41:01,583 --> 00:41:05,480
(audience cheers and applauds)

776
00:41:05,522 --> 00:41:07,449
- [Susanna] I had a great year.

777
00:41:07,491 --> 00:41:10,205
Jerry Jeff Walker recorded my songs.

778
00:41:10,247 --> 00:41:13,840
Willie and Emmy used my paintings for album covers.

779
00:41:13,882 --> 00:41:17,571
Emmylou released Quarter Moon in a Ten Cent Town.

780
00:41:17,613 --> 00:41:20,315
That title came from a line in "Easy From Now On",

781
00:41:20,357 --> 00:41:22,521
which is a song I wrote with Carlene Carter.

782
00:41:22,563 --> 00:41:26,646
♪ It's gonna be easy from now on ♪

783
00:41:28,007 --> 00:41:32,438
- [Susanna] Guy seemed resentful at my success.

784
00:41:32,480 --> 00:41:34,652
Emmy and Rodney were getting a lot of attention

785
00:41:34,694 --> 00:41:35,618
with their records.

786
00:41:35,660 --> 00:41:37,571
Guy wanted some of that.

787
00:41:37,613 --> 00:41:41,541
- When the new wave post-punk-rock-thing hit,

788
00:41:41,583 --> 00:41:43,934
I thought, oh boy, we gotta get some edge.

789
00:41:43,976 --> 00:41:46,675
So I sought out Craig Leon, and we made

790
00:41:46,717 --> 00:41:49,017
But What Will the Neighbors Think.

791
00:41:49,059 --> 00:41:50,100
- [Guy] Rodney's a drummer.

792
00:41:50,142 --> 00:41:51,483
He loves drums.

793
00:41:51,525 --> 00:41:53,163
He loves the sound of drums.

794
00:41:53,205 --> 00:41:55,211
He plays drums.

795
00:41:55,253 --> 00:41:57,606
And he loved the drum sound

796
00:41:57,648 --> 00:42:00,123
that Craig Leon got on his record,

797
00:42:00,165 --> 00:42:01,752
and consequently,

798
00:42:01,794 --> 00:42:04,312
just pushed me in that direction, you know?

799
00:42:04,354 --> 00:42:05,493
And I went, okay.

800
00:42:05,535 --> 00:42:07,709
I don't know, you know, anything about drums,

801
00:42:07,751 --> 00:42:09,097
but if you say so.

802
00:42:09,139 --> 00:42:12,601
So once again, that was that kind of situation,

803
00:42:12,643 --> 00:42:14,551
man, if you put this out, I'll split.

804
00:42:14,593 --> 00:42:15,640
I'll change my name.

805
00:42:15,682 --> 00:42:18,550
I'll do anything, but this is not right,

806
00:42:18,592 --> 00:42:20,749
that I can't in good conscience

807
00:42:20,791 --> 00:42:23,954
live with this kind of production.

808
00:42:23,996 --> 00:42:27,335
- [Susanna] Once again, Guy scrapped an entire record.

809
00:42:27,377 --> 00:42:31,144
He turned to Rodney to
produce The South Coast of Texas.

810
00:42:31,186 --> 00:42:33,270
- [Guy] And once again, you know, we just scraped,

811
00:42:33,312 --> 00:42:35,488
and stole studio time,

812
00:42:35,530 --> 00:42:39,978
you know, just anything we
could do to get this record made.

813
00:42:40,020 --> 00:42:41,191
Rodney was gonna produce it,

814
00:42:41,233 --> 00:42:43,709
and everything was gonna be different.

815
00:42:43,751 --> 00:42:48,751
- We made South Coast Of Texas, I think, in three days.

816
00:42:48,841 --> 00:42:52,474
And also, sweet Vince Gill came in,

817
00:42:52,516 --> 00:42:54,327
and he and I did the background vocals,

818
00:42:54,369 --> 00:42:57,367
and I thought it was a really fine record.

819
00:42:57,409 --> 00:43:01,599
I think the record company
appreciated it to some degree.

820
00:43:01,641 --> 00:43:02,947
I'm not sure they knew,

821
00:43:02,989 --> 00:43:06,906
yet knew how to market a poet of Guy's caliber.

822
00:43:09,488 --> 00:43:11,462
♪ Oh, the south coast of Texas ♪

823
00:43:11,504 --> 00:43:14,105
♪ That's a thin slice of life ♪

824
00:43:14,147 --> 00:43:15,681
♪ It's salty and hard ♪ - In the fifth grade,

825
00:43:15,723 --> 00:43:17,601
Guy moved to Rockport,

826
00:43:17,643 --> 00:43:20,722
that's a little fishing town
on the South Coast of Texas.

827
00:43:20,764 --> 00:43:22,718
- [Guy] I think it was always kind of a wonderful.

828
00:43:22,760 --> 00:43:24,657
It was a really small town.

829
00:43:24,699 --> 00:43:27,132
My graduating class was 46,

830
00:43:27,174 --> 00:43:29,532
and, you know, everybody knew everybody,

831
00:43:29,574 --> 00:43:31,940
and it seemed like idyllic.

832
00:43:31,982 --> 00:43:35,442
You know, I played football,
and basketball, and ran track,

833
00:43:35,484 --> 00:43:38,185
was on the Student Council, you know,

834
00:43:38,227 --> 00:43:42,644
all of that social stuff that happens in high school.

835
00:43:44,708 --> 00:43:45,851
My father was a lawyer,

836
00:43:45,893 --> 00:43:48,499
and my mother worked as a secretary.

837
00:43:48,541 --> 00:43:53,541
She had such an amazing
encyclopedia of stuff she could do.

838
00:43:53,718 --> 00:43:56,112
One of 'em was reading poetry after dinner,

839
00:43:56,154 --> 00:43:59,323
and my mother considered
herself a very good interpreter

840
00:43:59,365 --> 00:44:00,865
of that kind of stuff.

841
00:44:00,907 --> 00:44:02,923
I'm sure a lot of it stuck with me.

842
00:44:02,965 --> 00:44:05,101
Ah, I tend to get a little dramatic.

843
00:44:05,143 --> 00:44:07,328
(Guy laughs)

844
00:44:07,370 --> 00:44:09,638
♪ In the cars of my youth ♪

845
00:44:09,680 --> 00:44:12,333
♪ How I tore through those sand dunes ♪

846
00:44:12,375 --> 00:44:17,375
♪ And cut up my tires on them oyster shell roads ♪

847
00:44:18,078 --> 00:44:20,538
♪ Ah, but nothin' is forever ♪

848
00:44:20,580 --> 00:44:23,231
♪ Say the old men in the shipyards ♪

849
00:44:23,273 --> 00:44:25,456
♪ Turnin' trees into shrimp boats ♪

850
00:44:25,498 --> 00:44:28,180
♪ Hell, I guess they oughta know ♪

851
00:44:28,222 --> 00:44:30,720
- [Guy] When I was in high school working at a ship yard,

852
00:44:30,762 --> 00:44:33,904
we were building big 80 foot wooden shrimp boats.

853
00:44:33,946 --> 00:44:36,217
That fascinated me.

854
00:44:36,259 --> 00:44:39,746
I mean, if you look at the lines of a wooden boat,

855
00:44:39,788 --> 00:44:44,455
the way it just curves around, that is just such an art.

856
00:44:45,424 --> 00:44:47,343
I remember telling my parents one time

857
00:44:47,385 --> 00:44:49,742
that I wanted to be a carpenter in the shipyard.

858
00:44:49,784 --> 00:44:51,470
I decided what I was gonna do.

859
00:44:51,512 --> 00:44:52,945
(Guy chuckles)

860
00:44:52,987 --> 00:44:54,820
Yeah, it was very cool.

861
00:44:56,864 --> 00:45:00,531
(guitar pic flamenco tune)

862
00:45:02,547 --> 00:45:07,547
- [Susanna] Lola Bonner was Ellis Clark's law partner.

863
00:45:07,717 --> 00:45:10,217
She taught Guy to play guitar.

864
00:45:11,294 --> 00:45:12,670
- [Guy] She played guitar,

865
00:45:12,712 --> 00:45:15,371
and she was South Texas born and bred,

866
00:45:15,413 --> 00:45:18,874
and all she knew was Mexican songs.

867
00:45:18,916 --> 00:45:20,451
And the first time I saw her

868
00:45:20,493 --> 00:45:24,993
was out at Hondo Crouch's sister's place on the beach.

869
00:45:27,797 --> 00:45:29,438
And I was just taken

870
00:45:29,480 --> 00:45:33,397
with that first time of seeing Hondo, and Lola,

871
00:45:34,412 --> 00:45:37,068
and everybody just passing the guitar around,

872
00:45:37,110 --> 00:45:38,895
playing it, and trading songs.

873
00:45:38,937 --> 00:45:42,153
I was hooked from that day on.

874
00:45:42,195 --> 00:45:44,736
(guitar strums somber "The Randall Knife")

875
00:45:44,778 --> 00:45:46,944
- [Susanna] The South Coast of Texas came out,

876
00:45:46,986 --> 00:45:51,087
and not long after that Guy's father died.

877
00:45:51,129 --> 00:45:52,676
- [Guy] He had a bad heart,

878
00:45:52,718 --> 00:45:56,275
and he smoked and drank all his life, you know?

879
00:45:56,317 --> 00:46:00,030
He slowly started losing his memory.

880
00:46:00,072 --> 00:46:01,829
He just got weaker and weaker.

881
00:46:01,871 --> 00:46:03,954
And we knew he was dying,

882
00:46:05,022 --> 00:46:09,024
and I was driving from Nashville to Rockport,

883
00:46:09,066 --> 00:46:12,133
and I got to Beeville, I think,

884
00:46:12,175 --> 00:46:14,013
just was worried, and I called my mother,

885
00:46:14,055 --> 00:46:16,088
and I talked to him, and he was,

886
00:46:16,130 --> 00:46:18,592
all of a sudden, he was very lucid,

887
00:46:18,634 --> 00:46:20,416
and it was a conversation that kind of healed

888
00:46:20,458 --> 00:46:24,958
any hard feelings that might've been between he and I.

889
00:46:27,017 --> 00:46:28,633
We were back in Nashville,

890
00:46:28,675 --> 00:46:31,622
and I started writing this poem.

891
00:46:31,664 --> 00:46:33,212
I didn't think of it as song.

892
00:46:33,254 --> 00:46:34,279
I mean, it just...

893
00:46:34,321 --> 00:46:36,238
I couldn't make it a song.

894
00:46:36,280 --> 00:46:39,690
I couldn't twist it into a song.

895
00:46:39,732 --> 00:46:41,481
- [Susanna] On his next album,

896
00:46:41,523 --> 00:46:45,505
Guy recorded "Randall Knife" to honor his father.

897
00:46:45,547 --> 00:46:48,214
(guitar strums)

898
00:46:49,101 --> 00:46:50,335
- [Guy] That was one of the few arguments

899
00:46:50,377 --> 00:46:52,765
Rod and I ever got into about music,

900
00:46:52,807 --> 00:46:55,513
was he was producing the record,

901
00:46:55,555 --> 00:46:57,583
and we had a full band in the studio.

902
00:46:57,625 --> 00:47:00,076
I mean, you know, A players.

903
00:47:00,118 --> 00:47:02,196
And we did "The Randall Knife",

904
00:47:02,238 --> 00:47:03,712
and I told Rodney right then,

905
00:47:03,754 --> 00:47:08,754
I said, "Man, this is not a song you play with drums".

906
00:47:09,019 --> 00:47:10,689
"We can't do this."

907
00:47:10,731 --> 00:47:11,522
And Rodney said,

908
00:47:11,564 --> 00:47:15,614
"Well, I want it to sound like the rest of the record".

909
00:47:15,656 --> 00:47:18,374
- That was not my finest hour as a producer, I don't think,

910
00:47:18,416 --> 00:47:23,062
and I think it may have been a turning point for Guy,

911
00:47:23,104 --> 00:47:25,299
in that, kind of the methodology

912
00:47:25,341 --> 00:47:28,134
of recording tracks with musicians,

913
00:47:28,176 --> 00:47:31,003
and then havin' the lead artist come back,

914
00:47:31,045 --> 00:47:33,045
and dub in their vocals.

915
00:47:34,894 --> 00:47:36,974
That's not how you wanna record Guy Clark,

916
00:47:37,016 --> 00:47:41,599
because he's an actor, and a narrator, and a performer.

917
00:47:44,858 --> 00:47:47,103
If anything positive came out,

918
00:47:47,145 --> 00:47:48,978
besides there bein' a record in the world

919
00:47:49,020 --> 00:47:49,926
with those songs on it,

920
00:47:49,968 --> 00:47:51,236
is that I think he decided

921
00:47:51,278 --> 00:47:54,681
what he wanted to do from then on.

922
00:47:54,723 --> 00:47:56,956
♪ My father died when I was forty ♪

923
00:47:56,998 --> 00:48:01,338
♪ And I couldn't find a way to cry ♪

924
00:48:01,380 --> 00:48:03,941
♪ Not because I didn't love him ♪

925
00:48:03,983 --> 00:48:08,513
♪ And not because he didn't try ♪

926
00:48:08,555 --> 00:48:12,328
♪ Oh, I'd cried for every lesser thing ♪

927
00:48:12,370 --> 00:48:15,819
♪ The whiskey, pain and beauty ♪

928
00:48:15,861 --> 00:48:18,613
♪ But he deserved a better tear ♪

929
00:48:18,655 --> 00:48:23,655
♪ And I was not quite ready ♪

930
00:48:25,367 --> 00:48:28,630
♪ So we took his ashes out to sea ♪

931
00:48:28,672 --> 00:48:32,122
♪ And poured `em off the stern ♪

932
00:48:32,164 --> 00:48:34,921
♪ And then threw the roses in the wake ♪

933
00:48:34,963 --> 00:48:39,963
♪ Of everything we'd learned ♪

934
00:48:40,331 --> 00:48:43,363
♪ And when we got back to the house ♪

935
00:48:43,405 --> 00:48:46,683
♪ They asked me what I wanted ♪

936
00:48:46,725 --> 00:48:49,832
♪ Not the law books, not the watch ♪

937
00:48:49,874 --> 00:48:53,929
♪ I need the things he's haunted ♪

938
00:48:53,971 --> 00:48:57,989
♪ Oh, my hand burned for the Randall knife ♪

939
00:48:58,031 --> 00:49:01,442
♪ There in the bottom drawer ♪

940
00:49:01,484 --> 00:49:04,778
♪ And I found a tear for my father's life ♪

941
00:49:04,820 --> 00:49:07,374
♪ And all that it stood for ♪

942
00:49:07,416 --> 00:49:12,166
(somber "Randall Knife" continues playing)

943
00:49:27,818 --> 00:49:30,896
- [Susanna] Warner Brothers dropped Guy from the label.

944
00:49:30,938 --> 00:49:32,365
Guy was okay with the decision.

945
00:49:32,407 --> 00:49:35,113
He'd recorded five albums with two major labels,

946
00:49:35,155 --> 00:49:38,572
and he hadn't been happy with any of 'em.

947
00:49:39,506 --> 00:49:41,633
Guy was finished chasing hits.

948
00:49:41,675 --> 00:49:43,646
He was finished playing with the band,

949
00:49:43,688 --> 00:49:47,034
and he was finished with the music business.

950
00:49:47,076 --> 00:49:48,704
He had no idea of what he was gonna do next,

951
00:49:48,746 --> 00:49:52,754
but he knew it was time to do things his way.

952
00:49:52,796 --> 00:49:54,553
- [Guy] Yeah, I wanted it to be good.

953
00:49:54,595 --> 00:49:57,308
I knew the songs were good, and I knew I could play 'em,

954
00:49:57,350 --> 00:49:59,101
'cause I wrote 'em,

955
00:49:59,143 --> 00:50:01,686
but I hadn't just stood up there

956
00:50:01,728 --> 00:50:05,863
with just me and my guitar in a long, long time.

957
00:50:05,905 --> 00:50:08,201
I quit, and started over.

958
00:50:08,243 --> 00:50:09,459
For once, I was right, I guess.

959
00:50:09,501 --> 00:50:12,923
You know, I figured out that's what I wanted to do.

960
00:50:12,965 --> 00:50:14,596
All you gotta do is just do it.

961
00:50:14,638 --> 00:50:16,555
Nobody says you can't, so

962
00:50:17,449 --> 00:50:19,533
Here I am, a folk singer.

963
00:50:19,575 --> 00:50:20,621
(Guy chuckles)

964
00:50:20,663 --> 00:50:25,246
- Smart choice, Guy choosing the path of a folk singer,

965
00:50:27,725 --> 00:50:30,558
and choosing a method of recording

966
00:50:32,655 --> 00:50:34,322
in the tradition of folk singers,

967
00:50:34,364 --> 00:50:35,754
which is (Rodney chuckles)

968
00:50:35,796 --> 00:50:39,132
elbow the drums out, clear everything out of the way,

969
00:50:39,174 --> 00:50:41,791
so you can hear the words,

970
00:50:41,833 --> 00:50:43,646
because that's, you know,

971
00:50:43,688 --> 00:50:47,605
that was Guy coming to understand his strength.

972
00:50:50,866 --> 00:50:52,483
- He knew what he wanted to be.

973
00:50:52,525 --> 00:50:54,483
He knew how he wanted to sound.

974
00:50:54,525 --> 00:50:57,358
Every word mattered in every song.

975
00:50:58,232 --> 00:51:00,903
So that's clarity, you know?

976
00:51:00,945 --> 00:51:02,974
At its best.

977
00:51:03,016 --> 00:51:06,435
- [Guy] Never did write hit
songs for country music radio.

978
00:51:06,477 --> 00:51:07,795
I never was a country singer.

979
00:51:07,837 --> 00:51:10,134
I'm still not a country singer.

980
00:51:10,176 --> 00:51:11,663
I just write songs and play 'em.

981
00:51:11,705 --> 00:51:12,872
I'm Guy Clark.

982
00:51:14,032 --> 00:51:16,829
- [Susanna] Guy and Townes
hit the road with their guitars,

983
00:51:16,871 --> 00:51:17,969
and they were playing together

984
00:51:18,011 --> 00:51:19,833
like they did back in the Houston days.

985
00:51:19,875 --> 00:51:24,028
But he didn't record again for five years.

986
00:51:24,070 --> 00:51:24,861
- [City Billy] Visiting this morning

987
00:51:24,903 --> 00:51:27,858
with Townes Van Zandt and Guy Clark.

988
00:51:27,900 --> 00:51:30,824
Do you have any record in the works, also, of your own,

989
00:51:30,866 --> 00:51:32,282
besides... Well-

990
00:51:32,324 --> 00:51:33,115
Kind of in the process

991
00:51:33,157 --> 00:51:35,877
of trying to write some songs for one.

992
00:51:35,919 --> 00:51:38,060
Remember, that's the hard part.

993
00:51:38,102 --> 00:51:39,654
- [City Billy] You have a contract at the moment,

994
00:51:39,696 --> 00:51:40,487
- No. - or you just

995
00:51:40,529 --> 00:51:41,394
peddle it once it's done? - Uh-uh.

996
00:51:41,436 --> 00:51:44,235
No, I'll just do it, and then see what happens.

997
00:51:44,277 --> 00:51:46,509
Maybe just peddle it myself, you know?

998
00:51:46,551 --> 00:51:48,174
(Guy laughs)

999
00:51:48,216 --> 00:51:52,184
- He came to me in the hallway one day, and said,

1000
00:51:52,226 --> 00:51:54,951
"Man, I gotta make my comeback record".

1001
00:51:54,993 --> 00:51:58,903
And he said, "And I ain't got no money,

1002
00:51:58,945 --> 00:52:02,646
and you're just the guy that can help me".

1003
00:52:02,688 --> 00:52:04,701
- [Susanna] For the first time since Old No 1,

1004
00:52:04,743 --> 00:52:07,236
the songs took the starring role.

1005
00:52:07,278 --> 00:52:09,452
Guy was so happy about this album

1006
00:52:09,494 --> 00:52:13,062
that he put his self portrait painting on the cover.

1007
00:52:13,104 --> 00:52:16,589
He took the album to Barry Poss at Sugar Hill Records.

1008
00:52:16,631 --> 00:52:19,104
- So normally, we wouldn't do a one-off.

1009
00:52:19,146 --> 00:52:23,278
We like to work with artists
over time, developing careers.

1010
00:52:23,320 --> 00:52:27,078
But the chance to work with Guy Clark,

1011
00:52:27,120 --> 00:52:29,747
even for one album, was different.

1012
00:52:29,789 --> 00:52:32,399
His music, I think, went right to the heart

1013
00:52:32,441 --> 00:52:36,750
of what I wanted the label to be about to begin with.

1014
00:52:36,792 --> 00:52:39,547
- [Susanna] Guy put my song, "Come from the Heart",

1015
00:52:39,589 --> 00:52:42,086
on his first Grammy-nominated album.

1016
00:52:42,128 --> 00:52:44,582
(acoustic instrumental "Come From The Heart")

1017
00:52:44,624 --> 00:52:47,033
♪ When I was a young man ♪

1018
00:52:47,075 --> 00:52:49,042
♪ My daddy told me ♪

1019
00:52:49,084 --> 00:52:50,505
♪ A lesson he learned ♪ - The identity,

1020
00:52:50,547 --> 00:52:52,120
the statement that I wanted,

1021
00:52:52,162 --> 00:52:55,330
came from roots-based contemporary music

1022
00:52:55,372 --> 00:52:57,240
Now called Americana.

1023
00:52:57,282 --> 00:53:00,990
And I think Guy Clark not
only fit that aesthetic perfectly,

1024
00:53:01,032 --> 00:53:02,800
he helped define it. ♪ Learn to let go ♪

1025
00:53:02,842 --> 00:53:05,297
♪ You got to sing ♪

1026
00:53:05,339 --> 00:53:07,950
♪ Like you don't need the money ♪

1027
00:53:07,992 --> 00:53:09,670
♪ Love ♪

1028
00:53:09,712 --> 00:53:12,059
♪ Like you'll never get hurt ♪

1029
00:53:12,101 --> 00:53:14,555
♪ You got to dance ♪

1030
00:53:14,597 --> 00:53:16,921
♪ Like nobody's watching ♪

1031
00:53:16,963 --> 00:53:19,301
♪ It's gotta come from the heart ♪

1032
00:53:19,343 --> 00:53:21,368
♪ If you want it to work ♪

1033
00:53:21,410 --> 00:53:22,671
♪ Yeah ♪

1034
00:53:22,713 --> 00:53:24,291
- [Susanna] "Come from the Heart" had a life of its own,

1035
00:53:24,333 --> 00:53:26,273
and several people cut it,

1036
00:53:26,315 --> 00:53:28,854
but Kathy Mattea made it a monster hit.

1037
00:53:28,896 --> 00:53:32,629
♪ Oh, you got to sing ♪ ♪ Sing ♪

1038
00:53:32,671 --> 00:53:35,621
♪ Like you don't need the money ♪

1039
00:53:35,663 --> 00:53:37,641
♪ Love ♪ ♪ Love ♪

1040
00:53:37,683 --> 00:53:40,304
♪ Like you'll never get hurt ♪

1041
00:53:40,346 --> 00:53:43,559
♪ You've got to dance ♪ ♪ Dance ♪

1042
00:53:43,601 --> 00:53:45,989
♪ Like nobody's watchin' ♪

1043
00:53:46,031 --> 00:53:48,879
♪ It's gotta come from the heart ♪

1044
00:53:48,921 --> 00:53:51,238
♪ If you want it to work ♪

1045
00:53:51,280 --> 00:53:54,839
(upbeat "Come From the Heart" continues)

1046
00:53:54,881 --> 00:53:56,426
- [Susanna] After I got my royalties

1047
00:53:56,468 --> 00:53:59,332
from "Come from the Heart", I left Guy.

1048
00:53:59,374 --> 00:54:00,568
I still loved him,

1049
00:54:00,610 --> 00:54:02,528
but I had stuff to work out,

1050
00:54:02,570 --> 00:54:05,827
and I couldn't do it livin' with Guy.

1051
00:54:05,869 --> 00:54:07,664
- [Guy] She'd had enough of my bullshit,

1052
00:54:07,706 --> 00:54:11,074
and she just rented herself an apartment.

1053
00:54:11,116 --> 00:54:12,486
That was it.

1054
00:54:12,528 --> 00:54:13,325
I wouldn't have thought

1055
00:54:13,367 --> 00:54:17,036
that she had her shit together enough to do that,

1056
00:54:17,078 --> 00:54:19,367
and I think she was proving a point,

1057
00:54:19,409 --> 00:54:22,836
that she didn't have to depend on me for everything.

1058
00:54:22,878 --> 00:54:25,568
- She was reclaiming a part of herself

1059
00:54:25,610 --> 00:54:27,741
that she'd lost in her marriage.

1060
00:54:27,783 --> 00:54:29,928
But Susanna, during that time period,

1061
00:54:29,970 --> 00:54:33,512
she was more healthy than I recall her ever being,

1062
00:54:33,554 --> 00:54:36,171
and she was going to therapy,

1063
00:54:36,213 --> 00:54:40,096
and doing a lot of self-affirming things,

1064
00:54:40,138 --> 00:54:42,651
and was a delight to be around.

1065
00:54:42,693 --> 00:54:45,610
And said, "I'm done with marriage".

1066
00:54:48,533 --> 00:54:50,602
- [Susanna] I gave Guy a comfortable place to be

1067
00:54:50,644 --> 00:54:52,872
so he could be an artist.

1068
00:54:52,914 --> 00:54:55,029
I poured love into him.

1069
00:54:55,071 --> 00:54:56,317
I spoiled him to the point

1070
00:54:56,359 --> 00:54:59,059
where he thought he could get away with anything.

1071
00:54:59,101 --> 00:55:00,897
I tended to what he needed,

1072
00:55:00,939 --> 00:55:03,509
and I did that until I realized

1073
00:55:03,551 --> 00:55:05,944
that it wasn't being returned.

1074
00:55:05,986 --> 00:55:07,937
- Rodney had a relationship with Susanna

1075
00:55:07,979 --> 00:55:09,537
that was separate from his relationship with Guy.

1076
00:55:09,579 --> 00:55:10,673
So I did I.

1077
00:55:10,715 --> 00:55:12,073
And Townes certainly did.

1078
00:55:12,115 --> 00:55:15,033
The relationship between Townes and Susanna,

1079
00:55:15,075 --> 00:55:16,142
it was something that,

1080
00:55:16,184 --> 00:55:17,702
nobody really talked about it,

1081
00:55:17,744 --> 00:55:19,744
because it was a little,

1082
00:55:21,230 --> 00:55:22,888
it was a little too intimate

1083
00:55:22,930 --> 00:55:25,347
to be in the same room with sometimes it seemed,

1084
00:55:25,389 --> 00:55:27,232
and probably brought up questions

1085
00:55:27,274 --> 00:55:29,061
nobody really wanted to know the answer to,

1086
00:55:29,103 --> 00:55:31,053
'cause it sort of blew their whole

1087
00:55:31,095 --> 00:55:33,197
idea about the whole rest of it,

1088
00:55:33,239 --> 00:55:36,489
you know, Guy and Susanna as an entity.

1089
00:55:38,612 --> 00:55:40,876
- [Susanna] Townes and his wife split up,

1090
00:55:40,918 --> 00:55:43,478
and he spent a lot of time at my place.

1091
00:55:43,520 --> 00:55:46,738
Townes served me breakfast
in bed, always with flowers.

1092
00:55:46,780 --> 00:55:47,733
(Susanna giggles)

1093
00:55:47,775 --> 00:55:51,602
Sometimes he'd tell those terrible jokes of his.

1094
00:55:51,644 --> 00:55:52,893
Sometimes he'd cry,

1095
00:55:52,935 --> 00:55:55,798
and sometimes I'd cry for him.

1096
00:55:55,840 --> 00:55:58,038
After supper, we'd drink wine,

1097
00:55:58,080 --> 00:56:00,593
and watch reruns on Nick at Nite.

1098
00:56:00,635 --> 00:56:03,792
It was a sweet and loving time.

1099
00:56:03,834 --> 00:56:06,840
Rodney and his wife, Roseanne, broke up too,

1100
00:56:06,882 --> 00:56:09,900
and then Rodney and I got close.

1101
00:56:09,942 --> 00:56:12,290
- I loved Susanna, you know?

1102
00:56:12,332 --> 00:56:15,415
And she taught me how to be a friend,

1103
00:56:17,004 --> 00:56:20,671
but it evolved into a real, true friendship.

1104
00:56:22,706 --> 00:56:24,334
What do you think, Ms. Clark?

1105
00:56:24,376 --> 00:56:26,292
- Well, they just didn't have any tacos,

1106
00:56:26,334 --> 00:56:27,854
and I'm kinda disappointed.

1107
00:56:27,896 --> 00:56:29,689
(females laughing)

1108
00:56:29,731 --> 00:56:31,828
(Susanna laughs)

1109
00:56:31,870 --> 00:56:33,408
That's all I think right now.

1110
00:56:33,450 --> 00:56:36,367
(females laughing)

1111
00:56:37,480 --> 00:56:39,507
Hello there, Rod. - Hi.

1112
00:56:39,549 --> 00:56:40,451
- How are you?

1113
00:56:40,493 --> 00:56:41,523
- I'm fine. - Ain't nobody

1114
00:56:41,565 --> 00:56:42,811
talkin' to you today?

1115
00:56:42,853 --> 00:56:44,742
- [Rodney] No, I don't know why, either.

1116
00:56:44,784 --> 00:56:46,163
I guess it's my snorkel.

1117
00:56:46,205 --> 00:56:48,175
(all laughing)

1118
00:56:48,217 --> 00:56:49,850
- I'm so proud to be here at

1119
00:56:49,892 --> 00:56:52,016
Ms. Julia's and Mr. Bee's weddin'.

1120
00:56:52,058 --> 00:56:53,331
- Me too. - Yeah, are ya?

1121
00:56:53,373 --> 00:56:54,272
- [Rodney] Yes, I am.

1122
00:56:54,314 --> 00:56:55,105
- Yeah.

1123
00:56:55,147 --> 00:56:57,161
You're doing a good job, Rod.

1124
00:56:57,203 --> 00:56:58,178
[Rodney] I'm having fun. Yeah?

1125
00:56:58,220 --> 00:56:59,341
I take... Bye.

1126
00:56:59,383 --> 00:57:02,591
(all laughing) - Bye, Rod.

1127
00:57:02,633 --> 00:57:04,299
- So ah...

1128
00:57:04,341 --> 00:57:07,007
This is just about it.

1129
00:57:07,049 --> 00:57:07,882
Right...

1130
00:57:09,340 --> 00:57:10,206
Now!

1131
00:57:10,248 --> 00:57:12,947
(tape recorder clicks)

1132
00:57:12,989 --> 00:57:14,981
(acoustic guitar strums a chord)

1133
00:57:28,638 --> 00:57:31,305
(Susanna laughs)

1134
00:57:47,155 --> 00:57:49,822
(both laughing)

1135
00:57:53,926 --> 00:57:55,292
(Rodney laughing)

1136
00:57:56,934 --> 00:58:01,526
(all laughing)

1137
00:58:01,568 --> 00:58:04,022
(Susanna sighs loudly)

1138
00:58:04,064 --> 00:58:04,855
(object clatters)

1139
00:58:04,897 --> 00:58:07,251
- Yeah, Susanna was a lot of work for any one person,

1140
00:58:07,293 --> 00:58:08,935
and Guy figured out early on

1141
00:58:08,977 --> 00:58:10,483
that he was never gonna be able to keep her,

1142
00:58:10,525 --> 00:58:12,967
unless somebody else held up some of the,

1143
00:58:13,009 --> 00:58:16,712
you know, took up some of the slack.

1144
00:58:16,754 --> 00:58:20,230
So he gave her room for those relationships.

1145
00:58:20,272 --> 00:58:21,590
(guitar strums "Dublin Blues" )

1146
00:58:21,632 --> 00:58:22,827
- [Susanna] While we were apart,

1147
00:58:22,869 --> 00:58:24,796
Guy focused on his work,

1148
00:58:24,838 --> 00:58:26,640
and Travis joined him on the road.

1149
00:58:26,682 --> 00:58:29,101
(guitar strums "Dublin Blues")

1150
00:58:29,143 --> 00:58:31,875
- [Guy] Travis is a great bass player.

1151
00:58:31,917 --> 00:58:34,277
You know, he reads Count Basie charts.

1152
00:58:34,319 --> 00:58:37,652
He's a really well-schooled bass player.

1153
00:58:39,198 --> 00:58:40,904
So I thought, well, that'd be cool.

1154
00:58:40,946 --> 00:58:44,416
Get Travis to play, be my bass player.

1155
00:58:44,458 --> 00:58:46,399
I mean, we played together really good.

1156
00:58:46,441 --> 00:58:48,069
We sang together well.

1157
00:58:48,111 --> 00:58:49,911
- [Susanna] Asylum Records released

1158
00:58:49,953 --> 00:58:51,753
two successful albums.

1159
00:58:51,795 --> 00:58:55,741
Guy became a star in the new Americana genre.

1160
00:58:55,783 --> 00:58:57,496
(audience cheers and applauds)

1161
00:58:57,538 --> 00:58:58,849
- I'm gonna sing you a couple of new songs,

1162
00:58:58,891 --> 00:59:00,225
songs you never heard.

1163
00:59:00,267 --> 00:59:02,495
And it's called the "Dublin Blues".

1164
00:59:02,537 --> 00:59:05,787
(acoustic guitar strums "Dublin Blues")

1165
00:59:37,175 --> 00:59:41,195
♪ Well, I wished I was in Austin ♪

1166
00:59:41,237 --> 00:59:44,400
♪ Mmmmm ♪

1167
00:59:44,442 --> 00:59:46,945
♪ In the Chili Parlor bar ♪

1168
00:59:46,987 --> 00:59:49,732
♪ Drinkin' Mad Dog Margaritas ♪

1169
00:59:49,774 --> 00:59:54,629
♪ And not carin' where you are ♪

1170
00:59:54,671 --> 00:59:58,385
♪ But here I sit in Dublin ♪

1171
00:59:58,427 --> 01:00:01,553
♪ Mmmmm ♪

1172
01:00:01,595 --> 01:00:04,758
♪ Just rollin' cigarettes ♪

1173
01:00:04,800 --> 01:00:07,427
♪ And holdin' back and chokin' back ♪

1174
01:00:07,469 --> 01:00:11,633
♪ The shakes with every breath ♪

1175
01:00:11,675 --> 01:00:14,827
♪ So forgive me all my anger ♪

1176
01:00:14,869 --> 01:00:17,444
♪ Forgive me all my faults ♪

1177
01:00:17,486 --> 01:00:20,429
♪ There's no need to forgive me ♪

1178
01:00:20,471 --> 01:00:23,149
♪ For thinkin' what I thought ♪

1179
01:00:23,191 --> 01:00:25,829
♪ I loved you from the git-go ♪

1180
01:00:25,871 --> 01:00:28,864
♪ And I'll love you till I die ♪

1181
01:00:28,906 --> 01:00:31,944
♪ I loved you on the Spanish steps ♪

1182
01:00:31,986 --> 01:00:36,986
♪ The day you said goodbye ♪

1183
01:00:39,549 --> 01:00:43,531
♪ I am just a poor boy ♪

1184
01:00:43,573 --> 01:00:46,940
♪ Mmmmm ♪

1185
01:00:46,982 --> 01:00:49,591
♪ Work's my middle name ♪

1186
01:00:49,633 --> 01:00:52,290
♪ If money was a reason ♪

1187
01:00:52,332 --> 01:00:55,576
♪ Well, I would not be the same ♪

1188
01:00:55,618 --> 01:00:58,745
- This was a time when Americana music was thriving,

1189
01:00:58,787 --> 01:01:01,073
and there was an independent business

1190
01:01:01,115 --> 01:01:03,087
to support all that up and down the chain.

1191
01:01:03,129 --> 01:01:05,923
I mean, there were labels to record the music.

1192
01:01:05,965 --> 01:01:07,527
There were stores to sell it.

1193
01:01:07,569 --> 01:01:09,020
There were booking agents

1194
01:01:09,062 --> 01:01:11,969
and managers to place the artists in clubs.

1195
01:01:12,011 --> 01:01:15,501
And there were festivals to perform at.

1196
01:01:15,543 --> 01:01:17,788
All of this, making independent careers

1197
01:01:17,830 --> 01:01:21,466
for people, like Guy, very possible.

1198
01:01:21,508 --> 01:01:23,239
- [Susanna] In the spring of '95,

1199
01:01:23,281 --> 01:01:27,045
Dublin Blues shot to the top of the Americana chart.

1200
01:01:27,087 --> 01:01:29,619
It was Guy's first number one album.

1201
01:01:29,661 --> 01:01:33,049
He was the coolest songwriter in town.

1202
01:01:33,091 --> 01:01:34,883
The label threw a party to celebrate,

1203
01:01:34,925 --> 01:01:37,668
and all of Music Row showed up to honor Guy.

1204
01:01:37,710 --> 01:01:40,943
(guitar strums mellow "Stuff that Works")

1205
01:01:40,985 --> 01:01:43,770
I still loved Guy, and he loved me.

1206
01:01:43,812 --> 01:01:46,032
We'd been apart for six years,

1207
01:01:46,074 --> 01:01:47,877
but once we got back together,

1208
01:01:47,919 --> 01:01:51,721
we promised to stay together forever.

1209
01:01:51,763 --> 01:01:53,846
After all those years of struggle,

1210
01:01:53,888 --> 01:01:55,769
our dreams had come true.

1211
01:01:55,811 --> 01:01:57,174
♪ I got a woman I love ♪

1212
01:01:57,216 --> 01:01:58,544
♪ She's crazy ♪

1213
01:01:58,586 --> 01:02:00,043
♪ And paints like God ♪

1214
01:02:00,085 --> 01:02:01,086
- [Susanna] We were together,

1215
01:02:01,128 --> 01:02:03,569
and on top of the world ♪ She's got a playground ♪

1216
01:02:03,611 --> 01:02:05,121
♪ Sense of justice ♪

1217
01:02:05,163 --> 01:02:08,614
♪ She won't take odds ♪

1218
01:02:08,656 --> 01:02:13,656
♪ I got a tattoo with her name right through my soul ♪

1219
01:02:14,906 --> 01:02:19,906
♪ I think everything she touches turns to gold ♪

1220
01:02:21,306 --> 01:02:24,416
♪ Stuff that works ♪

1221
01:02:24,458 --> 01:02:28,505
♪ Stuff that holds up ♪

1222
01:02:28,547 --> 01:02:33,547
♪ The kind of stuff you don't hang on the wall ♪

1223
01:02:34,159 --> 01:02:37,218
♪ Stuff that's real ♪

1224
01:02:37,260 --> 01:02:41,237
♪ Stuff you feel ♪

1225
01:02:41,279 --> 01:02:46,279
♪ The kind of stuff you reach for when you fall ♪

1226
01:02:46,945 --> 01:02:51,028
(mellow country music continues)

1227
01:03:04,690 --> 01:03:06,379
- [Susanna] With all the praise

1228
01:03:06,421 --> 01:03:08,470
surrounding Guy as a songwriter,

1229
01:03:08,512 --> 01:03:10,839
Rounder Records released a greatest hits album,

1230
01:03:10,881 --> 01:03:12,881
and called it Craftsman. Guy hated that title.

1231
01:03:14,941 --> 01:03:16,083
(Guy exhales loudly)

1232
01:03:16,125 --> 01:03:19,155
- [Guy] I should've put a stop to that Craftsman shit,

1233
01:03:19,197 --> 01:03:21,994
because I consider it poetry, and art,

1234
01:03:22,036 --> 01:03:24,359
but I just said, "Whatever you wanna do".

1235
01:03:24,401 --> 01:03:26,448
"You know, it's your deal."

1236
01:03:26,490 --> 01:03:27,715
"You're putting these records out."

1237
01:03:27,757 --> 01:03:31,494
I would never use that term applied to my writing.

1238
01:03:31,536 --> 01:03:33,786
I'm kind of offended by it.

1239
01:03:35,387 --> 01:03:36,744
- [Susanna] In the fall of '96,

1240
01:03:36,786 --> 01:03:39,675
Guy recorded his first live album.

1241
01:03:39,717 --> 01:03:41,254
He called it Keepers.

1242
01:03:41,296 --> 01:03:42,711
- [Guy] I've always wanted to do a live album,

1243
01:03:42,753 --> 01:03:47,503
and what I did, was to go back to those early albums,

1244
01:03:48,956 --> 01:03:51,873
and do live versions of those songs

1245
01:03:52,974 --> 01:03:55,571
that I do every night,

1246
01:03:55,613 --> 01:03:58,588
that I never particularly liked

1247
01:03:58,630 --> 01:04:00,943
the way they were recorded originally.

1248
01:04:00,985 --> 01:04:05,128
- Guy just gathered up his little studio buddies

1249
01:04:05,170 --> 01:04:07,446
that worked with him.

1250
01:04:07,488 --> 01:04:09,165
It was packed every night.

1251
01:04:09,207 --> 01:04:10,696
We sat in the middle of the room,

1252
01:04:10,738 --> 01:04:13,992
and Jerry Douglas would sit
right here over my shoulder,

1253
01:04:14,034 --> 01:04:15,996
and the next night it would be Emmylou,

1254
01:04:16,038 --> 01:04:18,357
and the next night it would be somebody else,

1255
01:04:18,399 --> 01:04:20,758
but they were right on top of us.

1256
01:04:20,800 --> 01:04:23,142
And man, Guy was...

1257
01:04:23,184 --> 01:04:24,383
I still like that record

1258
01:04:24,425 --> 01:04:26,551
about as much as anything he ever did.

1259
01:04:26,593 --> 01:04:27,482
It just...

1260
01:04:27,524 --> 01:04:30,524
He was really having fun that night.

1261
01:04:32,305 --> 01:04:34,060
- [Alanna] How do you want the general public,

1262
01:04:34,102 --> 01:04:36,815
or people listening to this, to think of you?

1263
01:04:36,857 --> 01:04:38,104
- [Voice Of Guy] As a good songwriter,

1264
01:04:38,146 --> 01:04:41,136
and a good singer of my own songs.

1265
01:04:41,178 --> 01:04:42,747
I'd like everybody to think

1266
01:04:42,789 --> 01:04:44,688
I'm as good as I think I am, you know?

1267
01:04:44,730 --> 01:04:45,718
(Guy chuckles)

1268
01:04:45,760 --> 01:04:48,283
(indistinct chattering)

1269
01:04:48,325 --> 01:04:50,209
- I may be a lonely schizophrenic,

1270
01:04:50,251 --> 01:04:51,966
but at least I got each other.

1271
01:04:52,008 --> 01:04:53,593
(audience laughs)

1272
01:04:53,635 --> 01:04:56,377
- [Susanna] Guy and Townes went back on the road,

1273
01:04:56,419 --> 01:04:59,058
and sold out shows everywhere they went,

1274
01:04:59,100 --> 01:05:01,383
but Townes was in bad shape.

1275
01:05:01,425 --> 01:05:04,333
- Townes always said he wanted
to come to my house to die,

1276
01:05:04,375 --> 01:05:05,625
so I sold it to him.

1277
01:05:05,667 --> 01:05:08,500
(audience laughs)

1278
01:05:13,822 --> 01:05:17,177
- [Guy] That's not water.

1279
01:05:19,212 --> 01:05:22,205
(audience laughs)

1280
01:05:22,247 --> 01:05:26,580
- But I do remember a few times with Guy and Townes.

1281
01:05:29,406 --> 01:05:31,412
Once in Santa Fe, particularly,

1282
01:05:31,454 --> 01:05:32,456
they were playing there.

1283
01:05:32,498 --> 01:05:34,020
Susanna wasn't there. (audience laughs)

1284
01:05:34,062 --> 01:05:35,628
- Hey, Guy, get me one too.

1285
01:05:35,670 --> 01:05:37,803
- Yeah, sure. (audience laughs)

1286
01:05:37,845 --> 01:05:40,720
- Townes was so, so drunk

1287
01:05:40,762 --> 01:05:43,106
that Jo Harvey and I kind of walked him

1288
01:05:43,148 --> 01:05:45,819
down these stairs, and back
up the stairs, and whatever.

1289
01:05:45,861 --> 01:05:48,361
But Townes did a horrible set.

1290
01:05:49,560 --> 01:05:51,718
He maybe got through a couple of songs,

1291
01:05:51,760 --> 01:05:53,642
and told endless stories,

1292
01:05:53,684 --> 01:05:56,474
but barely could stay on the stool.

1293
01:05:56,516 --> 01:05:59,864
Then Guy played a really kind of pristine set,

1294
01:05:59,906 --> 01:06:01,974
a really beautiful set.

1295
01:06:02,016 --> 01:06:04,183
But I remember downstairs,

1296
01:06:05,284 --> 01:06:07,507
Townes was sitting down,

1297
01:06:07,549 --> 01:06:08,824
and Guy and I were kind of over

1298
01:06:08,866 --> 01:06:11,492
in Guy's area of the dressing area,

1299
01:06:11,534 --> 01:06:16,534
and there were about 15
people that were around Townes

1300
01:06:16,723 --> 01:06:21,723
shovin' dope and shovin' liquor at him.

1301
01:06:22,175 --> 01:06:25,202
And it was like vultures, you know?

1302
01:06:25,244 --> 01:06:27,932
And I remember, Guy and I both kind of watching it,

1303
01:06:27,974 --> 01:06:31,682
and he just said, "It happens everywhere we go", you know?

1304
01:06:31,724 --> 01:06:32,582
"Everywhere we go."

1305
01:06:32,624 --> 01:06:36,624
And it was like, you know, die for me, you know?

1306
01:06:37,564 --> 01:06:39,314
Die for me, you know?

1307
01:06:41,204 --> 01:06:42,985
- [Guy] You had to learn to tolerate Townes,

1308
01:06:43,027 --> 01:06:44,706
in some ways.

1309
01:06:44,748 --> 01:06:49,191
I mean, it all evolved around gettin' drunk, you know?

1310
01:06:49,233 --> 01:06:51,483
And just being as big a jerks,

1311
01:06:53,087 --> 01:06:55,162
as we could figure out how to do it,

1312
01:06:55,204 --> 01:06:56,635
you know? (Guy chuckles)

1313
01:06:56,677 --> 01:06:59,482
And I finally just got to the point

1314
01:06:59,524 --> 01:07:03,090
where I couldn't do that with him,

1315
01:07:03,132 --> 01:07:04,136
because I had Susanna,

1316
01:07:04,178 --> 01:07:06,866
and I had responsibilities,

1317
01:07:06,908 --> 01:07:10,059
a commitment with the publishing company, you know?

1318
01:07:10,101 --> 01:07:11,238
- I knew there was something.

1319
01:07:11,280 --> 01:07:12,158
- [Guy] That was just the way he was,

1320
01:07:12,200 --> 01:07:14,198
and there was nothing you could do about it.

1321
01:07:14,240 --> 01:07:15,273
(Townes speaks faintly)

1322
01:07:15,315 --> 01:07:17,973
(tape recorder crackles)

1323
01:08:55,303 --> 01:08:58,499
(tape recorder crackles)

1324
01:08:58,541 --> 01:09:01,215
(somber slide guitar "Black Haired Boy")

1325
01:09:01,257 --> 01:09:04,232
- [Susanna] This morning, 8:30 came and went.

1326
01:09:04,274 --> 01:09:06,197
The phone didn't ring.

1327
01:09:06,239 --> 01:09:09,822
Townes Van Zandt died on January 1st, 1997.

1328
01:09:11,838 --> 01:09:14,464
Part of me died with him.

1329
01:09:14,506 --> 01:09:17,482
Last night, Guy called from the studio.

1330
01:09:17,524 --> 01:09:20,993
He was crying, and said, "My heart hurts".

1331
01:09:21,035 --> 01:09:23,304
I asked if there was anything I could do for him?

1332
01:09:23,346 --> 01:09:25,679
Guy said, "Say it ain't so."

1333
01:09:27,136 --> 01:09:31,046
Townes' words were always gentle and loving,

1334
01:09:31,088 --> 01:09:34,606
but like in his songs, mighty words they were.

1335
01:09:34,648 --> 01:09:39,648
♪ He's looking for a home that he's scared to find ♪

1336
01:09:40,525 --> 01:09:45,525
♪ Some lady beside him and he's drunk on white wine ♪

1337
01:09:48,184 --> 01:09:53,184
♪ Some lady beside him and he's drunk on white wine ♪

1338
01:09:55,486 --> 01:09:57,123
- [Susanna] I had the honor and the privilege

1339
01:09:57,165 --> 01:10:00,748
of having this noble, wild soul in my life.

1340
01:10:01,719 --> 01:10:04,518
He called me his best friend and sister.

1341
01:10:04,560 --> 01:10:08,417
I called him my best friend and brother.

1342
01:10:08,459 --> 01:10:12,182
- When Townes died, Susanna called me,

1343
01:10:12,224 --> 01:10:15,557
so I went over, and we sat at the table,

1344
01:10:17,863 --> 01:10:19,780
and Guy had a bottle of

1345
01:10:20,891 --> 01:10:24,559
Johnnie Walker Red, I think, a quart,

1346
01:10:24,601 --> 01:10:26,193
and he was hurtin'.

1347
01:10:26,235 --> 01:10:30,200
You know, he was drinking whiskey, you know?

1348
01:10:30,242 --> 01:10:34,227
So when the pain is so deep, it's that moan.

1349
01:10:34,269 --> 01:10:37,519
It's that timeless moan pain, you know?

1350
01:10:41,514 --> 01:10:43,787
And Susanna was...

1351
01:10:43,829 --> 01:10:48,829
You know, that conversation
was that, you know, it's over,

1352
01:10:48,879 --> 01:10:51,658
and she was just saying, "It's over",

1353
01:10:51,700 --> 01:10:55,653
and Guy was just trying to deal with the pain.

1354
01:10:55,695 --> 01:10:59,362
So Susanna surrendered something that night.

1355
01:11:00,739 --> 01:11:03,544
- [Guy] Oh, it really destroyed her,

1356
01:11:03,586 --> 01:11:05,892
and it did me too to a certain extent,

1357
01:11:05,934 --> 01:11:09,601
but she was very grievous at Townes's death.

1358
01:11:12,592 --> 01:11:15,592
(audience applauds)

1359
01:11:19,272 --> 01:11:20,566
- Mr. Rodney Crowell.

1360
01:11:20,608 --> 01:11:23,086
(Guy laughs) (audience applauds)

1361
01:11:23,128 --> 01:11:23,919
- Thank you.

1362
01:11:23,961 --> 01:11:24,973
Then shortly after that,

1363
01:11:25,015 --> 01:11:27,747
we did an Austin City Limits performance,

1364
01:11:27,789 --> 01:11:29,039
a bunch of us,

1365
01:11:29,081 --> 01:11:34,081
and that night, Susanna told me, "I have a pain in my back,"

1366
01:11:34,804 --> 01:11:35,855
and from then on,

1367
01:11:35,897 --> 01:11:39,455
there was this mythical pain in Susanna's back,

1368
01:11:39,497 --> 01:11:42,641
that I, you know, as time went on,

1369
01:11:42,683 --> 01:11:45,353
I started to argue with her about the pain in her back,

1370
01:11:45,395 --> 01:11:46,919
and I started to not believe

1371
01:11:46,961 --> 01:11:48,543
that there was a pain in her back,

1372
01:11:48,585 --> 01:11:50,119
and I just started this thing about,

1373
01:11:50,161 --> 01:11:52,199
well, you know, a lot of people
have had pain in their back,

1374
01:11:52,241 --> 01:11:54,847
and they get enough of it.

1375
01:11:54,889 --> 01:11:56,699
I know I can give you three or four people

1376
01:11:56,741 --> 01:12:01,609
who went and got surgery, and corrected the pain.

1377
01:12:01,651 --> 01:12:04,484
But Susanna wanted the pain pills.

1378
01:12:06,266 --> 01:12:07,589
- [Susanna] Dear Townes,

1379
01:12:07,631 --> 01:12:11,406
it's been 13 days since your soul was released.

1380
01:12:11,448 --> 01:12:14,014
And your spirit now flies.

1381
01:12:14,056 --> 01:12:16,080
Please visit me.

1382
01:12:16,122 --> 01:12:19,254
I taught you of angels, and you taught me of time,

1383
01:12:19,296 --> 01:12:21,955
so come to me now in my dreams.

1384
01:12:21,997 --> 01:12:23,648
Carry me with you.

1385
01:12:23,690 --> 01:12:26,502
Let love guide me, as it did you.

1386
01:12:26,544 --> 01:12:27,711
Love, Susanna.

1387
01:12:29,814 --> 01:12:31,814
- That back pain set in,

1388
01:12:32,778 --> 01:12:36,028
and she went to bed, and didn't get up.

1389
01:12:39,257 --> 01:12:41,674
- [Guy] I mean, it was tough.

1390
01:12:42,876 --> 01:12:46,709
It was just hard to see her dissolve into that

1391
01:12:47,891 --> 01:12:50,224
kind of existence, you know?

1392
01:12:51,303 --> 01:12:53,027
'Cause it was not productive.

1393
01:12:53,069 --> 01:12:54,704
It was not.

1394
01:12:54,746 --> 01:12:56,481
I don't know.

1395
01:12:56,523 --> 01:12:58,273
It was sad, very sad.

1396
01:13:00,937 --> 01:13:03,408
- You know, I tried everything,

1397
01:13:03,450 --> 01:13:05,228
but I was no match

1398
01:13:05,270 --> 01:13:09,554
for what she had decided she wanted to do,

1399
01:13:09,596 --> 01:13:13,596
which is, she wanted to die slowly, and she did,

1400
01:13:14,964 --> 01:13:16,634
and Guy paid a high price for that.

1401
01:13:16,676 --> 01:13:18,593
And I was angry at her.

1402
01:13:19,525 --> 01:13:20,699
She quit on me.

1403
01:13:20,741 --> 01:13:22,895
She quit on Emmy.

1404
01:13:22,937 --> 01:13:24,260
She quit on Guy.

1405
01:13:24,302 --> 01:13:26,668
She quit on herself,

1406
01:13:26,710 --> 01:13:29,377
and I was really angry about it,

1407
01:13:31,127 --> 01:13:35,200
and it brought out some of my worst traits.

1408
01:13:35,242 --> 01:13:37,499
Then, you know, there would be times when I'd think,

1409
01:13:37,541 --> 01:13:39,857
well I gotta go and sit next to her,

1410
01:13:39,899 --> 01:13:44,899
and breathe her cigarette
smoke, and tell her I love her,

1411
01:13:45,133 --> 01:13:46,133
'cause I do.

1412
01:13:47,507 --> 01:13:52,155
Yeah, it's like, yeah, well, I
wasn't getting anything back.

1413
01:13:52,197 --> 01:13:54,430
- [Susanna] I continued to spiral down

1414
01:13:54,472 --> 01:13:57,395
as Guy's star kept rising.

1415
01:13:57,437 --> 01:13:59,854
Keepers was nominated for a Grammy.

1416
01:13:59,896 --> 01:14:03,110
Guy recorded two more albums for Sugar Hill.

1417
01:14:03,152 --> 01:14:04,030
ASCAP gave him

1418
01:14:04,072 --> 01:14:06,790
a Lifetime Achievement Award for songwriting.

1419
01:14:06,832 --> 01:14:09,560
NSAI put him in the Songwriter Hall of Fame,

1420
01:14:09,602 --> 01:14:11,936
and then the Americana Music Association

1421
01:14:11,978 --> 01:14:14,441
gave him another Lifetime Achievement Award.

1422
01:14:14,483 --> 01:14:15,274
(audience applauds)

1423
01:14:15,316 --> 01:14:17,303
- Oh, thank you very much.

1424
01:14:17,345 --> 01:14:18,808
Thank you so much.

1425
01:14:18,850 --> 01:14:21,808
(acoustic mellow "Dublin Blues")

1426
01:14:21,850 --> 01:14:24,667
If I could write, if I knew how to

1427
01:14:26,393 --> 01:14:28,546
write the next Garth Brooks hit,

1428
01:14:28,588 --> 01:14:31,171
I would do it in a second, man.

1429
01:14:32,565 --> 01:14:34,626
I mean, really, wouldn't you?

1430
01:14:34,668 --> 01:14:37,426
But the whole thing is, which I've come to realize,

1431
01:14:37,468 --> 01:14:39,784
I can't do it, man.

1432
01:14:39,826 --> 01:14:41,734
But if I could, I would.

1433
01:14:41,776 --> 01:14:45,875
You know, I'm just cursed with artistic integrity.

1434
01:14:45,917 --> 01:14:49,800
♪ I have been to Fort Worth ♪

1435
01:14:49,842 --> 01:14:53,736
♪ Mm-Hmm ♪

1436
01:14:53,778 --> 01:14:57,003
♪ And I have been to Spain ♪

1437
01:14:57,045 --> 01:15:02,045
♪ And I have been too proud to come in out of the rain ♪

1438
01:15:04,943 --> 01:15:08,402
♪ And I have seen the David ♪

1439
01:15:08,444 --> 01:15:12,275
♪ Mm-hmm ♪

1440
01:15:12,317 --> 01:15:15,658
♪ I've seen the Mona Lisa too ♪

1441
01:15:15,700 --> 01:15:18,121
♪ And I have heard Doc Watson ♪

1442
01:15:18,163 --> 01:15:21,572
♪ Play Columbus Stockade Blues ♪

1443
01:15:21,614 --> 01:15:25,124
♪ So forgive me all my anger ♪

1444
01:15:25,166 --> 01:15:27,889
♪ Forgive me all my faults ♪

1445
01:15:27,931 --> 01:15:30,995
♪ There's no need to forgive me ♪

1446
01:15:31,037 --> 01:15:33,870
♪ For thinkin' what I thought ♪

1447
01:15:33,912 --> 01:15:37,146
♪ I loved you from the get-go ♪

1448
01:15:37,188 --> 01:15:40,265
♪ And I'll love you till I die ♪

1449
01:15:40,307 --> 01:15:43,709
♪ I loved you on the Spanish steps ♪

1450
01:15:43,751 --> 01:15:48,751
♪ The day you said goodbye ♪

1451
01:15:52,002 --> 01:15:56,080
♪ Well, I wished I was in Austin ♪

1452
01:15:56,122 --> 01:15:59,789
♪ Mm-Hmm ♪

1453
01:15:59,831 --> 01:16:02,514
♪ In a Chili Parlor bar ♪

1454
01:16:02,556 --> 01:16:06,265
♪ Drinkin' Mad Dog Margaritas ♪

1455
01:16:06,307 --> 01:16:10,224
♪ And not carin' where you are ♪

1456
01:16:12,387 --> 01:16:16,304
(audience cheers and applauds)

1457
01:16:17,912 --> 01:16:22,279
- [Susanna] In 2006, Guy was diagnosed with lymphoma.

1458
01:16:22,321 --> 01:16:25,500
He started chemotherapy, lost his hair,

1459
01:16:25,542 --> 01:16:27,689
and was worried about making money.

1460
01:16:27,731 --> 01:16:31,799
But we hung in there, and he continued to work.

1461
01:16:31,841 --> 01:16:34,044
Guy signed with Dualtone Records

1462
01:16:34,086 --> 01:16:36,669
and recorded Workbench Songs.

1463
01:16:36,711 --> 01:16:41,711
Three years later, he released
Somedays the Song Writes You.

1464
01:16:41,833 --> 01:16:45,094
Both albums were nominated for GRAMMYS.

1465
01:16:45,136 --> 01:16:48,803
(guitar strums mellow "My Favorite Picture of You")

1466
01:16:49,726 --> 01:16:51,917
Guy wrote a new song for me.

1467
01:16:51,959 --> 01:16:54,668
It's the best song he ever wrote for me.

1468
01:16:54,710 --> 01:16:57,429
He would bring his guitar into the bedroom every day,

1469
01:16:57,471 --> 01:16:59,767
sit on the bed, and play it.

1470
01:16:59,809 --> 01:17:00,642
- Yeah,

1471
01:17:02,325 --> 01:17:06,733
I always had this little Polaroid.

1472
01:17:07,804 --> 01:17:10,565
It was always my favorite picture of Susanna,

1473
01:17:10,607 --> 01:17:12,987
and it was just, she was,

1474
01:17:13,029 --> 01:17:17,480
we were in front of John Lomax's house over on 21st.

1475
01:17:17,522 --> 01:17:19,742
It was cold and wet.

1476
01:17:19,784 --> 01:17:22,375
And we'd been in there,

1477
01:17:22,417 --> 01:17:26,834
and Townes and I were just drunk, and bein' assholes.

1478
01:17:28,088 --> 01:17:30,034
You know, she finally had enough,

1479
01:17:30,076 --> 01:17:32,085
and she just got up and left,

1480
01:17:32,127 --> 01:17:35,622
put on her coat, and walked outside.

1481
01:17:35,664 --> 01:17:38,417
I mean, like I said, she didn't take a bad picture,

1482
01:17:38,459 --> 01:17:39,974
but that one,

1483
01:17:40,016 --> 01:17:43,266
somehow it captured the essence of her.

1484
01:17:44,611 --> 01:17:45,944
That is Susanna.

1485
01:17:46,936 --> 01:17:49,833
She had this look on her face

1486
01:17:49,875 --> 01:17:51,323
I've seen a million times,

1487
01:17:51,365 --> 01:17:56,165
but that day was, she had had enough.

1488
01:18:02,614 --> 01:18:05,994
♪ My favorite picture of you ♪

1489
01:18:06,036 --> 01:18:11,036
♪ Is the one where your wings are showing ♪

1490
01:18:14,175 --> 01:18:17,282
♪ Oh, your arms are crossed ♪

1491
01:18:17,324 --> 01:18:19,679
♪ Your fists are clenched ♪

1492
01:18:19,721 --> 01:18:24,721
♪ Not gone but going ♪

1493
01:18:25,261 --> 01:18:28,449
♪ Oh, a stand-up angel ♪

1494
01:18:28,491 --> 01:18:31,385
♪ Who won't back down ♪

1495
01:18:31,427 --> 01:18:36,427
♪ Nobody's fool and nobody's clown ♪

1496
01:18:36,526 --> 01:18:41,526
♪ You were smarter than that ♪

1497
01:18:41,776 --> 01:18:45,261
♪ My favorite picture of you ♪

1498
01:18:45,303 --> 01:18:50,303
♪ Is one where it hasn't rained yet ♪

1499
01:18:53,246 --> 01:18:58,246
♪ Oh, and as I recall there came a winter squall ♪

1500
01:18:58,498 --> 01:19:03,498
♪ And we got soaking wet ♪

1501
01:19:04,711 --> 01:19:09,711
♪ A thousand words in the blink of an eye ♪

1502
01:19:10,291 --> 01:19:15,291
♪ The camera loves you and so do I ♪

1503
01:19:16,236 --> 01:19:20,674
♪ Click ♪

1504
01:19:20,716 --> 01:19:24,227
♪ My favorite picture of you ♪

1505
01:19:24,269 --> 01:19:29,269
♪ Is one where you're staring straight into the lens ♪

1506
01:19:38,363 --> 01:19:42,789
- Life without Susanna started
when Townes Van Zandt died.

1507
01:19:42,831 --> 01:19:45,954
From that day on, she hid out under cover.

1508
01:19:45,996 --> 01:19:49,229
Her Percocets and cigarette along for the ride.

1509
01:19:49,271 --> 01:19:52,640
She made her bed, inside her head a shelter.

1510
01:19:52,682 --> 01:19:55,729
Each new day, a sliver through the blinds.

1511
01:19:55,771 --> 01:19:58,833
I tried tough love, tenderness, and anger,

1512
01:19:58,875 --> 01:20:02,958
but nothing pierced the fortress inside her mind.

1513
01:20:04,670 --> 01:20:05,503
She won.

1514
01:20:06,889 --> 01:20:08,473
She got the last word.

1515
01:20:09,456 --> 01:20:14,414
(guitar strums gentle "My Favorite Picture of You")

1516
01:20:14,456 --> 01:20:16,599
- [Guy] I miss her sense of humor,

1517
01:20:16,641 --> 01:20:18,537
and her intelligence,

1518
01:20:18,579 --> 01:20:20,726
just how talented she was.

1519
01:20:20,768 --> 01:20:22,423
She could paint.

1520
01:20:22,465 --> 01:20:23,798
She could write.

1521
01:20:24,690 --> 01:20:27,523
Good lord, what a beautiful woman.

1522
01:20:29,887 --> 01:20:30,720
Smart.

1523
01:20:36,180 --> 01:20:40,463
But she wouldn't clean her fucking brushes.

1524
01:20:40,505 --> 01:20:41,338
(Guy chuckles)

1525
01:20:47,295 --> 01:20:50,628
It's true, it was a mythical love story.

1526
01:20:52,487 --> 01:20:54,857
I wouldn't disabuse anyone of that.

1527
01:20:54,899 --> 01:20:55,732
It's just,

1528
01:20:57,899 --> 01:21:01,232
you had to be there to get it, you know?

1529
01:21:05,145 --> 01:21:06,493
(lighter flicks)

1530
01:21:06,535 --> 01:21:10,563
(guitar strums melancholy
"My Favorite Picture of You")

1531
01:21:10,605 --> 01:21:13,355
- It was kind of a slow collapse.

1532
01:21:14,285 --> 01:21:16,540
Well, he and Verlon came through.

1533
01:21:16,582 --> 01:21:18,954
They were so tired,

1534
01:21:18,996 --> 01:21:21,986
and Guy was, he could barely walk.

1535
01:21:22,028 --> 01:21:25,707
They just slept for three days, and then left,

1536
01:21:25,749 --> 01:21:29,338
and it was the first time that I remember it

1537
01:21:29,380 --> 01:21:33,102
just being really telling that they were,

1538
01:21:33,144 --> 01:21:35,811
it was a difficult run for them.

1539
01:21:36,699 --> 01:21:39,823
- You know, I kept wantin' Guy to quit

1540
01:21:39,865 --> 01:21:41,624
long before he did.

1541
01:21:41,666 --> 01:21:43,353
And now, lookin' back on it,

1542
01:21:43,395 --> 01:21:45,728
I realize, that was probably

1543
01:21:46,681 --> 01:21:48,110
stupid of me,

1544
01:21:48,152 --> 01:21:51,390
because when a man quits, he's done.

1545
01:21:51,432 --> 01:21:54,099
And so Guy was stayin' out there

1546
01:21:55,529 --> 01:21:57,926
as long as he could possibly stay out there,

1547
01:21:57,968 --> 01:22:01,430
and he was havin' a real hard time playing,

1548
01:22:01,472 --> 01:22:04,389
and a pretty hard time singing too.

1549
01:22:05,628 --> 01:22:09,246
They finally sent us on a 12 day run.

1550
01:22:09,288 --> 01:22:11,431
It was all across Texas.

1551
01:22:11,473 --> 01:22:16,473
We started at Abilene, Fort Worth, Dallas, San Antonio.

1552
01:22:16,687 --> 01:22:19,122
We wound up in Beaumont,

1553
01:22:19,164 --> 01:22:20,164
and I knew,

1554
01:22:21,239 --> 01:22:23,154
and I believe that he knew too,

1555
01:22:23,196 --> 01:22:25,863
that it just, it couldn't go on.

1556
01:22:27,358 --> 01:22:29,137
We got in the car the next morning,

1557
01:22:29,179 --> 01:22:32,218
and drove back to Nashville.

1558
01:22:32,260 --> 01:22:36,549
You know, a pretty quiet ride, nothin' much said.

1559
01:22:36,591 --> 01:22:38,424
Got back to the house,

1560
01:22:39,773 --> 01:22:42,278
he picked up the phone right then and there,

1561
01:22:42,320 --> 01:22:45,271
and he called our booking agent, and he said,

1562
01:22:45,313 --> 01:22:47,693
"Keith, don't book me nothing else".

1563
01:22:47,735 --> 01:22:49,016
"I'm done."

1564
01:22:49,058 --> 01:22:50,416
Click.

1565
01:22:50,458 --> 01:22:52,541
And Guy just leaned back,

1566
01:22:53,808 --> 01:22:55,616
and he started rolling a cigarette,

1567
01:22:55,658 --> 01:22:59,571
and he goes, "Let's recap."

1568
01:22:59,613 --> 01:23:02,622
And I said, "What do you mean?"

1569
01:23:02,664 --> 01:23:06,636
We just started talking about, from day one,

1570
01:23:06,678 --> 01:23:10,595
all the stuff we did, and the places we'd gone.

1571
01:23:12,352 --> 01:23:16,164
So I walked out of there
feeling okay about it, you know?

1572
01:23:16,206 --> 01:23:19,873
(guitar strums melancholy
"My Favorite Picture of You")

1573
01:23:41,879 --> 01:23:45,730
- [Guy] It means more to me now than I thought it would.

1574
01:23:45,772 --> 01:23:49,939
I mean, I thought I would just blow this shit off.

1575
01:23:50,942 --> 01:23:52,942
It was kind of ironic, you know?

1576
01:23:52,984 --> 01:23:54,984
To do this for 40 years,

1577
01:23:55,859 --> 01:24:00,526
finally win, I guess, the best award you can get for it,

1578
01:24:02,015 --> 01:24:05,598
and not be able to do it anymore, you know?

1579
01:24:07,671 --> 01:24:10,886
(guitar strums gentle "Old Friends")

1580
01:24:10,928 --> 01:24:14,379
- He was working on this song about crows.

1581
01:24:14,421 --> 01:24:16,662
(crows cawing)

1582
01:24:16,704 --> 01:24:20,263
I remember he had a line I loved that was,

1583
01:24:20,305 --> 01:24:21,322
"They were so black,

1584
01:24:21,364 --> 01:24:25,106
you could only see 'em at night", you know?

1585
01:24:25,148 --> 01:24:27,065
He was really, I think,

1586
01:24:28,008 --> 01:24:32,950
talking about his own
vulnerability at that particular time.

1587
01:24:32,992 --> 01:24:36,308
I called Rodney, and Rodney said,

1588
01:24:36,350 --> 01:24:38,658
"Well, if you're coming, you better come now".

1589
01:24:38,700 --> 01:24:40,033
"You know, now."

1590
01:24:43,793 --> 01:24:46,834
- I'd been over there, I guess, a couple of days,

1591
01:24:46,876 --> 01:24:48,408
pretty much all day long,

1592
01:24:48,450 --> 01:24:50,311
and people were coming by,

1593
01:24:50,353 --> 01:24:54,074
and people gathered around his bed, and sang songs.

1594
01:24:54,116 --> 01:24:56,199
It was a beautiful thing.

1595
01:24:58,579 --> 01:25:02,159
Everything had sort of wound
down, and people had gone home,

1596
01:25:02,201 --> 01:25:06,413
and I felt like this might be it, you know?

1597
01:25:06,455 --> 01:25:08,834
I decided to stay there, too, all night.

1598
01:25:08,876 --> 01:25:12,153
I just was gonna sit in the recliner, and just hang out.

1599
01:25:12,195 --> 01:25:17,028
And it felt right that I was
there, and it was a blessing.

1600
01:25:18,387 --> 01:25:19,844
I'm glad I was.

1601
01:25:19,886 --> 01:25:24,465
He finally just kinda took a big old, deep breath,

1602
01:25:24,507 --> 01:25:27,274
and I knew he was gone.

1603
01:25:27,316 --> 01:25:30,138
(guitar strums gentle "Old Friends")

1604
01:25:36,626 --> 01:25:40,112
The subject came up about Guy's ashes,

1605
01:25:40,154 --> 01:25:41,458
and I had heard about this,

1606
01:25:41,500 --> 01:25:44,703
but I didn't know if it was for real,

1607
01:25:44,745 --> 01:25:48,927
that there had been some sort of pact between

1608
01:25:48,969 --> 01:25:52,508
Guy and our dear old buddy, Terry Allen.

1609
01:25:52,550 --> 01:25:53,855
He said, "I want Terry

1610
01:25:53,897 --> 01:25:57,120
to put me into one of his sculptures."

1611
01:25:57,162 --> 01:25:59,823
And I thought, you know,

1612
01:25:59,865 --> 01:26:01,820
I thought maybe that was a joke.

1613
01:26:01,862 --> 01:26:03,822
But earlier that morning,

1614
01:26:03,864 --> 01:26:07,056
I talked to Terry on the phone after Guy passed,

1615
01:26:07,098 --> 01:26:11,606
and he said, "No, it ain't a joke, and it's for real."

1616
01:26:11,648 --> 01:26:14,628
- You know, I never took that totally serious.

1617
01:26:14,670 --> 01:26:16,741
My response, ultimately, was

1618
01:26:16,783 --> 01:26:19,738
"Okay, I'm gonna cast a goat.

1619
01:26:19,780 --> 01:26:21,588
I'm gonna do a bronze goat,

1620
01:26:21,630 --> 01:26:23,531
and I'm gonna take your ashes,

1621
01:26:23,573 --> 01:26:26,106
and I'm gonna shove it up its ass."

1622
01:26:26,148 --> 01:26:30,351
And Guy looked at me, and went, "Perfect!"

1623
01:26:30,393 --> 01:26:31,323
(Terry laughs) Yeah.

1624
01:26:31,365 --> 01:26:35,807
- And then we got a call, just almost instantly,

1625
01:26:35,849 --> 01:26:39,928
that everybody was gonna come out to our house.

1626
01:26:39,970 --> 01:26:43,313
- I said, "If it's okay, if it's legal,

1627
01:26:43,355 --> 01:26:46,025
and if it's okay with everybody,

1628
01:26:46,067 --> 01:26:49,855
I'd like to just take Guy out there myself."

1629
01:26:49,897 --> 01:26:51,430
I said, "I'll put him in the car,

1630
01:26:51,472 --> 01:26:53,900
and it'll be our final road trip."

1631
01:26:53,942 --> 01:26:56,279
(guitar strums mellow "Dublin Blues")

1632
01:26:56,321 --> 01:26:57,405
The next thing you know,

1633
01:26:57,447 --> 01:26:59,802
there's 8 or 10 of us on a tour bus,

1634
01:26:59,844 --> 01:27:04,094
and those of us couldn't ride the bus met us there.

1635
01:27:04,985 --> 01:27:08,218
- Everybody just stopped their lives,

1636
01:27:08,260 --> 01:27:10,260
and headed for Santa Fe.

1637
01:27:11,926 --> 01:27:15,259
(indistinct chattering)

1638
01:27:16,715 --> 01:27:18,917
- [Steve] You know, we took Guy's ashes there,

1639
01:27:18,959 --> 01:27:22,056
and we got there at sunset the next day,

1640
01:27:22,098 --> 01:27:24,307
and it was most beautiful
land-based sunset I've ever seen.

1641
01:27:24,349 --> 01:27:27,016
I give Guy full credit for that.

1642
01:27:28,339 --> 01:27:32,898
- We set up a little makeshift altar in our living room,

1643
01:27:32,940 --> 01:27:36,107
and put the ashes there with a candle.

1644
01:27:38,624 --> 01:27:41,603
People just ended up going into the living room,

1645
01:27:41,645 --> 01:27:45,066
and just standing, looking at Guy.

1646
01:27:45,108 --> 01:27:48,525
- And nobody said a word for a long time,

1647
01:27:49,531 --> 01:27:51,948
and then, just one at a time,

1648
01:27:53,789 --> 01:27:56,291
everyone started telling some wonderful story

1649
01:27:56,333 --> 01:27:59,097
about their experiences with Guy.

1650
01:27:59,139 --> 01:28:01,382
- Steve Earle, he went and got his guitar, and said,

1651
01:28:01,424 --> 01:28:04,260
"Let's all do a song that Guy would want us to sing."

1652
01:28:04,302 --> 01:28:06,431
People took turns singing songs.

1653
01:28:06,473 --> 01:28:09,157
It was just one of those nights, you know?

1654
01:28:09,199 --> 01:28:10,720
And then everybody left,

1655
01:28:10,762 --> 01:28:13,410
and went back, back into their lives.

1656
01:28:13,452 --> 01:28:17,702
And there I was, standing with the soon-to-be goat.

1657
01:28:18,927 --> 01:28:20,018
(Terry laughs)

1658
01:28:20,060 --> 01:28:23,727
(gentle music "Desperados Waiting for a Train")

1659
01:28:24,628 --> 01:28:27,846
- His command of the language is universal.

1660
01:28:27,888 --> 01:28:30,807
It just happens to be thematically specific,

1661
01:28:30,849 --> 01:28:32,937
most of the time, to Texas.

1662
01:28:32,979 --> 01:28:35,646
Texans really love their heroes,

1663
01:28:36,954 --> 01:28:40,082
and Guy is a true-blue Texas hero.

1664
01:28:40,124 --> 01:28:41,690
♪ Run his fingers through 70 years ♪

1665
01:28:41,732 --> 01:28:43,090
- He was a powerful figure

1666
01:28:43,132 --> 01:28:44,959
with an enormous presence,

1667
01:28:45,001 --> 01:28:47,651
but all that larger than life bigness

1668
01:28:47,693 --> 01:28:52,576
actually came wrapped in a
man of quiet grace and elegance.

1669
01:28:52,618 --> 01:28:57,096
- He had this eye for detail, and this memory for detail.

1670
01:28:57,138 --> 01:28:58,206
I mean, I don't think it'll matter

1671
01:28:58,248 --> 01:29:01,110
whether it's set to music or whether it's not.

1672
01:29:01,152 --> 01:29:03,226
Guy's best songs transcend being songs,

1673
01:29:03,268 --> 01:29:04,700
that they could have been novels,

1674
01:29:04,742 --> 01:29:06,896
could have been short stories.

1675
01:29:06,938 --> 01:29:08,461
- I'm pretty sure they'll say,

1676
01:29:08,503 --> 01:29:10,250
he's one, of the greatest

1677
01:29:10,292 --> 01:29:13,565
American songwriters that ever lived.

1678
01:29:13,607 --> 01:29:17,940
- A legacy is already in stone, even before he left,

1679
01:29:18,787 --> 01:29:21,957
and I don't know that it's changed.

1680
01:29:21,999 --> 01:29:25,582
To me, it was every bit as much of a legacy

1681
01:29:28,304 --> 01:29:32,221
in the mid-'70s, as it was 40 plus years later.

1682
01:29:33,730 --> 01:29:38,719
All those stories, all those
characters, all those things,

1683
01:29:38,761 --> 01:29:40,181
they were powerful to me,

1684
01:29:40,223 --> 01:29:42,473
because they felt familiar.

1685
01:29:43,877 --> 01:29:48,153
- You still feel like he's with us all the time.

1686
01:29:48,195 --> 01:29:50,834
He seems to be present,

1687
01:29:50,876 --> 01:29:55,184
and you don't know if he's an angel, or a ghost.

1688
01:29:55,226 --> 01:29:57,744
You know, it's just that song of his,

1689
01:29:57,786 --> 01:30:01,165
the stuff that's real, stuff you feel,

1690
01:30:01,207 --> 01:30:03,376
stuff that you can count on,

1691
01:30:03,418 --> 01:30:06,475
you know, when you're down, or when you fall.

1692
01:30:06,517 --> 01:30:11,517
♪ One day I looked up and he's pushin' 80 ♪

1693
01:30:13,198 --> 01:30:18,198
♪ And there was brown
tobacco stains all down his chin ♪

1694
01:30:20,510 --> 01:30:25,510
♪ To me he's one of the heroes of this country ♪

1695
01:30:27,130 --> 01:30:32,130
♪ So why's he all dressed up like them old men ♪

1696
01:30:33,891 --> 01:30:38,891
♪ Drinkin' beer and playin' moon and 42 ♪

1697
01:30:39,033 --> 01:30:44,033
♪ Just like a desperado waiting for a train ♪

1698
01:30:45,709 --> 01:30:50,292
♪ Like desperados waiting for a train ♪

1699
01:30:57,741 --> 01:31:00,324
(crows cawing)

1700
01:31:04,025 --> 01:31:06,051
(wind whips)

1701
01:31:06,093 --> 01:31:08,832
(chimes tinkle)

1702
01:31:08,874 --> 01:31:12,374
(wind continues whipping)

1703
01:31:16,029 --> 01:31:18,612
(crows cawing)

1704
01:31:22,401 --> 01:31:25,414
(chimes tinkle)

1705
01:31:25,456 --> 01:31:27,872
(crows continue cawing)

1706
01:31:31,147 --> 01:31:34,463
(one crow caws loudly)

1707
01:31:35,418 --> 01:31:38,584
(chimes tinkling)

1708
01:31:38,626 --> 01:31:42,076
(wind continues to whip)

1709
01:31:42,118 --> 01:31:47,067
(crows cawing)

1710
01:31:48,860 --> 01:31:52,110
(upbeat music "Caw Caw Blues")

1711
01:31:59,989 --> 01:32:03,005
♪ Heckle and Jeckle built a barbed wire nest ♪

1712
01:32:03,047 --> 01:32:05,020
(crows cawing)

1713
01:32:05,062 --> 01:32:10,062
♪ In a windmill derrick way out west ♪

1714
01:32:11,228 --> 01:32:16,228
♪ Scooping up scraps down the long fence line ♪

1715
01:32:16,394 --> 01:32:21,394
♪ It was a work of art, the only one of its kind ♪

1716
01:32:22,013 --> 01:32:27,013
♪ Way out around Lubbock as the John Crow flies ♪

1717
01:32:27,829 --> 01:32:32,829
♪ Ole Heckle and Jeckle built a sky high rise ♪

1718
01:32:33,653 --> 01:32:38,653
♪ Heckle and Jeckle, so cold jet black ♪

1719
01:32:39,034 --> 01:32:42,254
♪ You could see 'em at night in the cactus Jack ♪

1720
01:32:42,296 --> 01:32:44,830
♪ Murder of crows, murder of crows ♪

1721
01:32:44,872 --> 01:32:47,611
♪ Two old birds make a murder of crows ♪

1722
01:32:47,653 --> 01:32:50,456
♪ And everyone knows that anything goes ♪

1723
01:32:50,498 --> 01:32:53,358
♪ Ol' Heckle and Jeckle make a murder of crows ♪

1724
01:32:53,400 --> 01:32:57,483
(upbeat country music continues)

1725
01:33:04,589 --> 01:33:07,319
♪ Catching baby rattlesnakes two-by-two ♪

1726
01:33:07,361 --> 01:33:12,361
♪ We're gonna make a little
pot of that rattlesnake stew ♪

1727
01:33:15,681 --> 01:33:20,681
♪ Little baby rattlesnakes better watch out ♪

1728
01:33:20,985 --> 01:33:24,154
♪ Ol' Heckle and Jeckle steady out and about ♪

1729
01:33:24,196 --> 01:33:26,668
♪ Murder of crows, murder of crows ♪

1730
01:33:26,710 --> 01:33:29,450
♪ Two old birds make a murder of crows ♪

1731
01:33:29,492 --> 01:33:32,079
♪ Everyone knows that anything goes ♪

1732
01:33:32,121 --> 01:33:35,070
♪ Ol' Heckle and Jeckle make a murder of crows ♪

1733
01:33:35,112 --> 01:33:39,195
(upbeat country music continues)

1734
01:33:57,284 --> 01:34:02,284
♪ Scarecrow standing in a tall corn patch ♪

1735
01:34:02,982 --> 01:34:07,982
♪ Heckle and Jeckle got nary a scratch ♪

1736
01:34:08,582 --> 01:34:13,582
♪ Eating like kings nearly all day long ♪

1737
01:34:14,176 --> 01:34:17,160
♪ Dodging that buckshot, singing that song ♪

1738
01:34:17,202 --> 01:34:19,711
♪ Caw Caw Blues, Caw Caw Blues ♪

1739
01:34:19,753 --> 01:34:22,482
♪ Ten'll get you twenty if you're counting by twos ♪

1740
01:34:22,524 --> 01:34:25,282
♪ Barbed wire palace full of magpie chicks ♪

1741
01:34:25,324 --> 01:34:28,315
♪ Old Heckle and Jeckle steady getting their kicks ♪

1742
01:34:28,357 --> 01:34:30,914
♪ Murder of crows, murder of crows ♪

1743
01:34:30,956 --> 01:34:33,691
♪ Two old birds'll make a murder of crows ♪

1744
01:34:33,733 --> 01:34:36,434
♪ Everyone knows that anything goes ♪

1745
01:34:36,476 --> 01:34:39,362
♪ Ol' Heckle and Jeckle make a murder of crows ♪

1746
01:34:39,404 --> 01:34:40,004
♪ Oh ♪

1747
01:34:45,023 --> 01:34:45,623
♪ Oh ♪

1748
01:34:50,600 --> 01:34:55,600
♪ Daddy's in the kitchen in his everyday shoes ♪

1749
01:34:56,174 --> 01:35:01,007
♪ Sittin' down singing them Caw Caw Blues ♪




